shrugged away the odd little niggle that thought provoked, then hurried to where her boxes of supplies had been stashed, dragged them out and got busy. She unearthed her portfolio with photographs of smaller pieces she’d either sold or still had in her boxes. She had no idea what he wanted for the gallery, but first she had to impress him with her work.
She had several pieces in various stages of completion, but her pride and joy was a quilt-sized work stretched on a frame, covered in black plastic and taped for safety. And how serendipitous that it blended so well with his living room, she thought, unwrapping it. Similar to Sheila’s work with black, white and silver and various shades between, but Didi had used fire-engine red as a focal colour.
She set the piece against a bare wall, stood back and cast a critical eye over it.
Twigs she’d painstakingly collected and bound in black, white and silver thread made up the tree, the leaves silver filigree she’d constructed by hand at a jewellery class. An embroidered black serpent wound its way through the branches along a piece of old barbed wire. Just visible behind the action were the subtly spray-painted but unmistakeably erotic shapes of male and female. The apples of red silk layered with organza, thread and delicately spray-painted for a three-dimensional effect completed the picture.
She’d never shown her family. It would hurt too much to hear their dismissal of something she’d put her heart and soul into for months, using any spare cash she earned to purchase the supplies she needed.
The big question was would it be good enough to convince Cameron Black to take a chance on her?
He arrived home late. Didi had spent the day working on new material and suddenly there he was, watching her from across the living room with a doubtful expression in his eyes. Of course, he would, wouldn’t he? With every square centimetre of his ever-so-clean table covered in her stuff.
‘Hi.’ She threaded her needle through a piece of fabric, took off her glasses, blinking up at him as her eyes adjusted. ‘I’m sorry about the mess—I’ll clean it up right this—’
‘Forget the mess. I don’t have time to waste. I’ve got less than three weeks.’ Crossing the room, he shrugged off his jacket, slung it on the back of a dining-room chair at the far end of the table. Didi couldn’t help but notice Mr Immaculate’s shirt looked as pristine as it had when he’d left this morning.
His eyes took in her scraps of fabric and silks then flicked to the sheet-draped work against the wall, back to her. Comprehension dawned. ‘So, you’re the artist.’ He sounded disappointed.
Her pulse took a leap. Squashing down her insecurities, she replied, ‘I hope so.’
‘That’s why you recognised Sheila’s work.’
She nodded. ‘I’ve always loved textiles. I took one of her workshops in Sydney a few years ago.’
He crossed his arms over his chest. ‘So…what do you have to show me?’
A hiatus while she stopped breathing. Oh, cripes, she wished he hadn’t said it in quite that way with quite that expression in his eyes. Scepticism. Her art was the one thing that truly mattered to her.
Somehow she managed to make it across the room. Her arm trembled as she withdrew the sheet. And waited for a response. Any response.
The right response.
She thought she heard him mutter, ‘Apples again,’ and saw his jaw tighten.
He had something against apples? ‘It’s called Before the Temptation.’
‘What else could you call it?’ His wry response still gave her no clue to his thoughts.
Almost unbearable. How long he studied it, immobile, feet spread and arms crossed, she couldn’t be sure. Seconds? Minutes? She counted the beats of her heart. Lost count.
Finally, he nodded. ‘Okay, Didi, you’ve got yourself a commission. Two and a half weeks to come up with something of the same standard.’
Relief and excitement sent her soaring on helium balloons,
Liz Wiseman, Greg McKeown