he returned to his original mode of ascent.
Inevitably he became bolder. Up to now he had been using three-point suspension, never moving one appendage till he was certain the other three were firmly placed. But as his boldness increased, his caution diminished. He neglected three-point suspension more and more often, finally neglected it altogether. After all, he reassured himself, what difference did it make if he did slip? The piton line would stop him before he fell two feet.
And it would have too—if the particular cartridge he had just discharged had not been defective. In his haste he did not notice that the nylon line was not rewinding itself, and when the chockstone, on which he’d just put his entire weight, gave way beneath his foot, his instinctive terror was tempered by the thought that his fall would be brief.
It was not. It was slow at first, unreal. He knew instantly that something had gone wrong. Nearby, someone was screaming. For a moment he did not recognize his own voice. And then the fall was swift; the chimney walls blurred past his clawing hands, and dislodged rubble rained about his anguished face.
Twenty feet down he struck a projection on one side of the chimney. The impact threw him against the other side, then the ledge that he had left a short while before came up beneath his feet and he sprawled forward on his stomach, the wind knocked from him, blood running into his eyes from a cut on his forehead.
When his breath returned he moved each of his limbs carefully, testing them for broken bones. Then he inhaled deeply. Afterward he lay there on his stomach for a long time, content with the knowledge that he was alive and not seriously hurt.
Presently he realized that his eyes were closed. Without thinking, he opened them and wiped the blood away. He found himself staring straight down at the forest of the hair, 10,000 feet below. He sucked in his breath, tried to sink his fingers into the ungiving granite of the ledge. For a while he was sick, but gradually his sickness left him and his terror faded away.
The forest spread out almost to the sea, flanked by the precipices of the neck and shoulder, the nine-mile ridge of the arm. The sea was gold and glittering in the mid-afternoon sunlight, and the lowlands were a green-gold beach.
There was an analogy somewhere. Marten frowned, trying to remember. Hadn’t he, a long time ago, crouched on another ledge—or was it a bluff?—looking down upon another beach, a real beach? Looking down at—
Abruptly he remembered, and the memory set his face on fire. He tried to force the unwanted moment back into his subconscious but it slipped through his mental fingers and came out and stood nakedly in the sun, and he had to confront it whether he wanted to or not, had to live it over again.
* * *
After their marriage, he and Lelia had rented the same cottage in Connecticut where Rise Up, My Love! was born, and he had settled down to write his second book.
The cottage was a charming affair, perched on a bluff overlooking the sea. Below it, accessible by a flight of winding stairs, was a narrow strip of white sand, protected from the prying eyes of civilization by the wooded arms of a small cove. It was here that Lelia spent her afternoons sunbathing in the nude, while Marten spent those same afternoons feeding empty words and uninspired phrases into the manuscript machine on his study desk.
The new book was going very badly. The spontaneity that had characterized the creation of Rise Up, My Love! was no longer with him. Ideas would not come, or, if they did come, he was incapable of coping with them. A part of his mood, he knew, could be ascribed to his marriage. Lelia was everything a bride should be, but there was something she was not, an intangible something that taunted him by night and haunted him by day. . . .
The August afternoon had been hot and humid. There was a breeze coming in over the sea, but while it was strong enough to ruffle