his linen, his clothes, his cap? Had not the number also become imprinted into his soul, into his brain, into his blood, that he must even stop and think of his own name?
And now—?
And now—?
His body refreshed by pure cold water which had washed the sweat of labour from him, felt, with wonderful sweetness, the yielding relaxation of all his muscles. With a quiver which rendered all his muscles weak he felt the caressing touch of white silk on the bare skin of his body, and, while giving himself up to the gentle, even rhythm of the motion, the consciousness of the first and complete deliverance from all that which had put so agonising a pressure on his existence overcame him with so overpowering a force that he burst out into the laughter of a madman, his tears falling uncontrollably.
Violently, aye, with a glorious violence, the great city whirled towards him, like a sea which roars around mountains.
The workman No. 11811, the man who lived in a prison—Like house, under the underground railway of Metropolis, who knew no other way than that from the hole in which he slept to the machine and from the machine back to the hole—this man saw, for the first time in his life, the wonder of the world, which was Metropolis: the city, by night shining under millions and millions of lights.
He saw the ocean of light which filled the endless trails of streets with a silver, flashing lustre. He saw the will-o'-the-wisp sparkle of the electric advertisements, lavishing themselves inexhaustibly in an ecstasy of brightness. He saw towers projecting, built up of blocks of light, feeling himself seized, over-powered to a state of complete impotence by this intoxication of light, feeling this sparkling ocean with its hundreds and thousands of spraying waves, to reach out for him, to take the breath from his mouth, to pierce him, suffocate him…
And then he grasped that this city of machines, this city of sobriety, this fanatic for work, sought, at night, the mighty counterpoise to the frenzy of the day's work—that this city, at night, lost itself, as one insane, as one entirely witless, in the intoxication of a pleasure, which, flinging up to all heights, hurtling down to all depths, was boundlessly blissful and boundlessly destructive.
Georgi trembled from head to foot. And yet it was not really trembling which seized his resistless body. It was as though all his members were fastened to the soundless evenness of the engine which bore them forwards. No, not to the single engine which was the heart of the motor-car in which he sat—to all these hundreds and thousands of engines which were driving an endlessly gliding, double stream of gleaming illuminated automobiles, on through the streets of the city in its nocturnal fever. And, at the same time, his body was set in vibration by the fire-works of spark-streaming wheels, ten-coloured lettering snow-white fountains of overcharged lamps, rockets, hissing upwards, towers of flame, blazing ice-cold.
There was a word which always recurred. From an invisible source there shot up a sheaf of light, which bursting apart at the highest point, dropped down letters in all colours of the rainbow from the velvet-black sky of Metropolis.
The letters formed themselves into the word: Yoshiwara.
What did that mean: Yoshiwara—?
From the iron-work of the elevated railway-track a yellow-skinned fellow hung, head downwards, suspended by the crocks of his knees, who let a snow-storm of white sheets of paper shower down upon the double row of motor-cars.
The pages fluttered and fell. Georgi's glance caught one of them. Upon it stood, in large, distorted letters: Yoshiwara.
The car stopped at a crossing. Yellow-skinned fellows, in many-coloured embroidered silk jackets, wound themselves, supple as eels, through the twelve-fold strings of waiting cars. One of them swung himself onto the foot-board of the black motor-car in which Georgi sat. For one second the grinning hideousness stared into