Metropolitan
constructed for the purpose of bringing workers to the plastics factory from their company housing forty radii away. When the factory closed the whole pneuma had been decommissioned, its equipment salvaged but the tunnels left in place. New construction probably cut the tubes somewhere, but Aiah doesn’t bother to research the location; she figures that tomorrow she’ll lead Grandshuk and Lastene as far downtube as the next station, then switch to the other tunnel and return. A futile mission, but at least it has the virtue of keeping her team busy and away from the transphysical power well humming away on the upper platform.
    Her feet ache at the thought of the long walk.
    As she enters the apartment she sees the yellow bulb glowing on her communications array. Aiah drops the tote bag with a thud and walks to where the array is inset into the wall. She has a hard time focusing her eyes on the dial, which shows three messages. She presses a button and hears a whine as the etching belt begins to roll and then a grinding noise as the play head moves to the first position. She’s got to lubricate that play head soon.
    One message is from Telia, informing her that there’s another meeting at end of work shift tomorrow. The second is from her mother and complains that Aiah was in Old Shorings and hasn’t paid a visit. The message, which promises to be fairly long, as usual cuts off in mid-word, either because her mother’s wall unit is faulty or because she forgot to keep her thumb on the transmit key.
    The third is from Gil. When she hears his voice Aiah closes her eyes and leans her head against the grain of the polymer paneling and lets her breath slip past her lips, just lets the weariness and sorrow flow.
    He’s sorry she’s not home, he says. He’d like to hear her voice. He misses her. The acquisition is looking more complicated every day but he’s working double shifts and he hopes to be back soon. He had this unexpected expense — to do with his apartment lease, something called “bed money” — and the company should reimburse him eventually; but this month’s cashgram is going to be a little short.
    He wishes she were home. He loves her. Maybe she can call him early tomorrow, an hour or so before first shift. Maybe in a month or so he can get some time off and come home for a few days. Goodbye.
    Aiah opens her eyes, lets the room come back into fragile focus. A plasm ball with the logo for Gulman Shoes rotates past her window. She looks down at her feet, sees her bulky tote bag, and she remembers what she’s carrying in it.
    She picks up the tote, carries it to the kitchen table, opens it. Its main contents are three plasm batteries, layers of copper and brass and ceramic coated in white insulating plastic. Heavy things, miniaturized versions of the giant capacitors in the basement of Rocketman Substation.
    Aiah plans to bleed off plasma from the glory hole, sell it somewhere — she doesn’t quite know where just yet, but Old Shorings is never far from her thoughts. Then, after she’s raised a little money, she’ll have to think of something else, because she can’t keep shuttling batteries around forever.
    She adds to the tote a blanket, a file, some light machine oil, some cleaning rags — then, after some thought, one of her old college textbooks on plasm use. She takes a shower, thinks about drying her hair, decides not to. Shieldlight is breaking through the rainclouds overhead, so she unfolds the brushed aluminum crank from the wall, cranks the window polarizer a few times, darkens the room. She falls into bed and reaches for her alarm clock so she can set it a little early and call Gil, and then her hand freezes in mid-air.
    What, she wonders, will she tell him? That she’s found a plasm source worth millions, that she’s going to tap it slowly and bleed it off, that with luck she can make a fortune but she’ll most likely end up in prison? She can also tell him the damn plasm source is so

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