âAre you okay?â
âYeah, but I forgot. My client Kirk. Or former client. I said Iâd meet him at a photo shoot today in Manhattan to lend my support. Heâs going to be one of
People
magazineâs Fifty Sexy Young Stars. Do you want to come?â
âWhich one is he?â I ask, trying to click through the clients Berni has told me about.
âThe hunk I discovered working in a Santa Monica car wash. He had his shirt on but I could still recognize his talent. Now he plays Dr. Lance Lovett on that medical soap opera. You know the oneâ
Days of Our Knives.
â
âThen letâs go,â I say, jumping up. Even a sweaty car on Metro North would be more appealing than this Arctic igloo. The place feels like the set for
The Day After Tomorrow.
Now that I know global warming makes the world colder, I might stop using hair spray.
Consuela comes in with the hood on her parka pulled up tightly now, carrying a silver tray. âHot chocolate?â she offers, holding out steaming mugs.
âThanks, Consuela, but weâre going out,â I say, trying to stifle a laugh.
âRight,â says Berni. She gets up and looks longingly one more time at the Victoriaâs Secret catalogue before tossing it into the wastebasket.
Berni and I hop on the train and arrive at Grand Central Station in the advertised thirty-eight minutes. We head down to a huge studio loft by the Hudson River, where dozens of photo assistants, lighting assistants, and cappuccino-fetching assistants are all busily scurrying around. At the center of the activity is a beautiful dark-skinned girl with multicolored hair wearing a tight white sparkly dress.
âThatâs Eve,â Berni whispers to me. âVery happening rap star.â
But whatâs happening with Berni right now is that sheâs already exhausted and goes across the studio to sit down. I stay mesmerized where I am, watching in fascination as Eve poses in the light box, three feet from the photographer. Her skin glistens and a makeup artist rushes to dust her face with powder and polish her arms and shoulders.
âIs this the place for the Sexy Stars?â someone behind me asks in a deep, masculine voice.
I turn around, and find myself looking into a chiseled face framed by blond, spiky hair. âApparently,â I say. The hunky guy in front of me is broad shouldered and muscular. When he gives a little smile, his liquid-blue eyes twinkle.
âAre you one of the stars in the photo shoot, too?â he asks, flashing a bright grin.
âIâm . . . Iâm . . .â apparently Iâm stuttering. âIâm just a friend,â I say, collecting myself.
âSorry, I thought you were one of the sexy stars,â he says.
The man must have a PhD. from the George Clooney Charm School. But I find myself smiling.
Just then he spots Berni, whoâs sprawled in a canvas-backed directorâs chair.
âYouâre here!â he says, rushing over and throwing his arms around her. âAnd you look fabulous!â
Berni waves her arm dismissively but still looks pleased. What is it about a handsome guy slinging a compliment? Even fake flattery is a better mood enhancer than two Zolofts and an Entenmannâs coffee cake.
I come over to join Berni and she quickly introduces me to Kirk.
âWeâve already met,â Kirk says, smiling and turning to me. âSorry if Iâm a little sweaty. I didnât get to the gym today so I power-walked over from the set of
Knives.
â
Power walking usually means going fastâbut with a soap star, it could mean he got to walk with the director.
Kirkâs supposed to be next up with the photographer. The frazzled wardrobe mistressâdressed in a silver Mylar micromini layered over tutti-frutti tightsâcomes over and, completely ignoring Berni and me, grabs him by the arm.
âWe have to get you into some clothes,â she says hurriedly,