through her spiky silvery hair, as if remembering how long and silky it once was.
I love the way Nana talks about colors, like she thinks each one has a personality. Dusty brings down a few bottles for her to inspect. In the end she chooses Dark Gold.
We are moving through Dusty Birdâs corridors of colors, passing through a rainbowâ¦red (just the sight of it brings up that tin-metal taste in my mouth) and yellow and pink andâ¦
âThis is the one: Golden Green Lake.â Nana reads the label fondly, as if sheâs just bumped into an old friend.
Dusty Bird follows us around with his ladder, offering to help as Nana scans her memory for the names of the colors sheâs used before. Purple and orange andâ¦
âWeâre painting the seaâ¦ultramarine, I think, Dusty.â
âUltramarine Blue Light?â he guesses.
âThatâs it, Dusty.â Nana grins and claps her hands together.
Itâs a new game, where Dusty has to match the description to the paint.
âTurquoise?â Nana asks, testing him.
There are about ten different shades, but he picks out Deep Turquoise Blue.
âThatâs your usual, Josie.â
Nana nods and drops the bottle into the basketful of paints that Mumâs carrying for her while attempting to distract Laila from pulling every paint pot in her reach off the shelves.
âJust the gray, I remember,â groans Nana, âPayneâs Gray. Well-named, that one, Dusty, because if pain has a color itâs definitely gray.â
Dusty Bird peers at Nana with a question in his eyes, but he doesnât ask her anything. When we finally get to the check out, Dusty offers Nana a seat.
âWhat are you up to these days, Josie?â
âIâm working on dying at the moment.â Nana smiles at Dusty as if she hasnât said anything out of the ordinary. âItâs my swan song, this coffin. Itâs all going up in smoke, Dusty, thatâs why it canât be oil based, you see,â Nana explains, smiling at him.
Dusty Bird smiles back.
âYouâre an original, Josie. Damien Hirstâs got nothing on you.â
Laila starts gurgling and Dusty Bird crosses over to our side of the counter to coo at her.
âThis your latest?â
Nana nods. It sounds funny, as if Laila is Nana Josieâs baby. He doesnât seem to notice my mum.
âPretty little thing, isnât she?â Then he looks from me to Laila. âAnother beauty, just like her nana.â Dusty Bird winks at Nana again. She pushes him away, as if to say, âStop talking such nonsense,â but sheâs pleased with the compliment, all the same.
Dusty takes Nanaâs hand and walks her to the car. Theyâre like toddlers supporting each otherâ¦a delicate gray-haired girl and a tubby bald boy. By the time Nana finally gets into the car, all the color has drained from her skin. She canât seem to catch her breath; itâs as if sheâs been running. Dusty scurries back into the shop, returning with a glass of water. Nana takes tiny sips, but itâs a huge effort for her to swallow.
âThis blasted pain,â Nana gasps.
She carries on sipping, swallowing deep breaths of air, and eventually her breathing slows. Dusty Bird leans into the car. They look straight into each otherâs eyes for what seems like ages, but itâs probably just seconds ticking slowly. Then he holds Nanaâs face in his hands and kisses her right on the lipsâ¦the kind of kiss that means something.
When someone is dying, everything you say and do means more than it normally does. When someone is dying, you notice thingsâ¦everything really. The whole of life is in slow motion. Dusty Birdâs eyes fill up with tears. My nana holds his hand for a moment and then he quickly closes the car door and gives the roof a tap. His rooftop tapping says, âGo on, get out of here. I canât bear to say
Lee Iacocca, Catherine Whitney