reveals whatâs inside the wave. Wow, I couldnât be more impressed!â
âThe same as yours?â
âExcuse me?â
âThe storm in you reveals whatâs inside pretty well, too.â
Struck by his comment, Dianaâs shoulders slumped.
âIâm sorry, I didnât mean to be rude.â
âThatâs okay. What do you really see in the picture?â
âWell . . . I see you havenât yet added the flying seagull which appears in your other paintings.â
âYouâre quite observant, I must say.â
âSome people think so,â Diana said.
In spite of his scruffy appearance and crude style of greeting, the artist seemed to be a person of some education.
âAre you a student?â she asked.
He shook his head.
âSo youâve finished your studies?â
âI was studying economics till I quit.â
Diana looked at him as if to say, âBut why?â
âBefore it was too late, I realized Iâd never improve my painting by listening to my economics professors.â
âCouldnât you work on your painting as well as continue with your studies?â
âIt wasnât that I didnât have the time. The problem was that each new painting I finished made me feel that the previous one was better.â
âBetter in what sense?â
âWell, like every other artist, what I paint onto the canvas is whatâs inside me. But with every passing day, I could see that my colors were fading. You could perhaps say that I had to leave school for the sake of my original colors.â
Dianaâs eyes showed her approval. âThatâs quite brave, I must say.â She held out her hand to him. âIâm Diana.â
The artist shook her hand but said nothing.
He had done it again! Heâd behaved as if he was indifferent to her. He had neither told her his name nor had the courtesy to say he was glad to meet her. It was pointless to continue an already overextended conversation with someone who couldnât even be bothered to give his name. So, saying that she had an appointment to keep, Diana muttered good-bye and left.
On her way home, however, her mind was preoccupied with what he had said about the colors fading. Just as the artist had once missed his original colors, Diana thought how much she missed her motherâs colors.
12
W HEN D IANA HAD disappeared from view, the beggar waved to the artist. The day before, the artist had gone to him and asked questions about the beautiful girl whose fortune the beggar had told.
The beggar had grinned, saying, âHold it, son. What happens between me and my customers isnât here to stay; it flies away. You go ask the little lady herself what you figure on knowing. She comes here soon. Tomorrow, she comes . . . But just look at you, asking an old fool like me for help. You are young, ar-tis-tic and you are nearly as good-looking as me. What do you need me to charm the little lady for?â
The artist, a little embarrassed, had tried to defend himself. âI saw both of you looking at me, so naturally I wondered why.â
âDonât make me laugh, son. Those eyes, big as saucers, see her come down the road there; those big eyes fixing themselves on her, werenât mine, eh? No need for fortune-telling. You wished to meet that little lady the minute you saw her. Do I tell a lie? If thatâs a lie, let your gull shit on my poor old head!â
Not knowing what to say, the artist had made some excuse and left. Heâd realized it wouldnât be easy to prize information out of the old beggar.
Just a few minutes ago, however, when the beggar waved to him with a welcoming smile, the thought passed through his mind that perhaps the beggar had now decided to say something about Diana. The artist would try his luck again by visiting the beggar tonight.
13
I N THE CENTER of the straw mat, the artist carefully placed