outlaw's words had always come up to blot that scene. "I think you better teach him the facts of life." Stepping on his toes while he was supposed to smile back. It embarrassed him because he wanted to be here because of Virg. First Virg and then the girl. He told himself he was doing this because Virg was his friend, and because the girl was helpless and couldn't defend herself and deserved a chance. That's what he told himself.
But that was all in the past, hazy pictures in his mind overshadowed by the business at hand. He knew what he was doing there, if he wasn't sure why. So that when the outlaw's thin shape came into view below him, he was not excited. He did not see where De Sana had come from, but realized now that he must have been hiding somewhere off to the left. De Sana crouched low behind a scramble of rock and poked his carbine below toward the pool, looking around as if trying to determine if this was the best position overlooking the well. His head turned, and he looked directly at the aperture behind him, where the two boulders met, studying it for a long moment before turning back to look down his carbine barrel at the pool. Dave Fallis levered the barrel of the Winchester down a fraction and the front sight was dead center on De Sana's back.
He wondered why De Sana had taken a carbine from the corral lean-to and not a saddle. Then he thought of Vea Oiga who had fired at him as he fled. And this brought Vea Oiga's words to memory. "Shoot before he sees you."
Past the length of the oiled gun barrel, he saw the Y formed by the suspenders and the faded underwear top, darkened with perspiration. The shorthaired skull, thin and hatless. And at the other end, booted long legs, and toes that kicked idly at the gravel.
For a moment he felt sorry for De Sana. Not because the barrel in front of him was trained on his back. He watched the man gaze out over a vastness that would never grow smaller. Straining his eyes for a relentless something that would sooner or later hound him to the ground. And he was all alone. He watched him kick his toes for something to do and wipe the sweat from his forehead with the back of his hand. De Sana perspired like everyone else. That's why he felt sorry for him. He saw a man, like a thousand others he had seen, and he wondered how you killed a man. The Indian had told him, "Shoot before he sees you." Well, that was just like an Indian. He moved around from behind the rocks and stood there in plain view with the rifle still pointed below. He felt naked all of a sudden, but brought the rifle up a little and called, "Throw your gun down and turn around!"
And the next second he was firing. He threw the lever and fired again--then a third time. He sat down and ran his hand over the wetness on his forehead, looking at the man who was now sprawled on his back with his carbine across his chest. He buried the gunman well away from the pool and scattered rocks around so that when he was finished you'd wouldn't know that a grave was there. He took the outlaw's horse and his guns. That would be enough proof. On the way back he kept thinking of Virg and the girl. He hoped that Virg would still be alive, but knew that was too much to ask. Virg and he had had their good times and that was that. That's how you had to look at things.
He thought of the girl and wondered if she'd think he was rushing things if he asked her to go with him to the Panhandle, after a legal ceremony. . . .
And all the way back, not once did he think of Lew De Sana.
*
*
The Hard Way .
Tio Robles stretched stiffly on the straw mattress, holding the empty mescal bottle upright on his chest. His sleepy eyes studied Jimmy Robles going through his ritual. Tio was half smiling, watching with amusement. Jimmy Robles buttoned his shirt carefully, even the top button, and pushed the shirttail tightly into his pants, smooth and tight with no blousing about the waist. It made him move stiffly the few minutes he was conscious