the Valar on 'the isle of Almar in a great lake' was an addition to the main body of the new text; hence the repetition here.
20 My father first wrote here: 'in the uttermost parts of Andúnë'.
21 The name Pelóri ( Valion ) first occurs here; it is found also (under Aman ) in the list of alterations made in 1951 (p. 7).
22 My father first wrote here 'world', changing it at once to 'earth', which I have capitalised - as also at two other occurrences: capitalisation is inconsistent in Ainulindalë C, partly owing to the retention of passages from the original text B.
23 The square brackets enclosing this passage (developed from Ainulindalë B, V.162) probably imply its proposed exclusion.
24 The words in Aman were added later, at the same time as the change of the Halls of Anar to the Halls of Aman in §§15, 24 (see note 11).
25 See V.165 note 20.
26 As note 23.
27 Ainulindalë B has 'all the veins of the world': this was changed to 'of the Earth', I think simply to avoid repetition, since the sentence ends with 'the foundations of the world'.
28 From this point there is no indication on the manuscript of my father's intention, but in view of the next version D it seems clear that we are to continue with the concluding portion of the old B text (from 'After the departure of the Valar...', V.163). In D, however, there is an intervening passage (sec pp. 35-6) that makes the conclusion more integral with what precedes. - These final paragraphs (§§38-40) were left largely unchanged (though with significant alterations in §40) from the text of B, but I give it in full in order to provide a complete text at this point.
29 This was changed from the B version 'For Men resemble Melko most of all the Ainur, and yet have ever feared and hated him.'
Commentary on the Ainulindale text C
The revision C introduces a radical re-ordering of the original matter of the Ainulindalë , together with much that is new; and it is easiest to show this in the form of a table. This table is in no sense a synopsis of the content, but simply a scheme to show the structural interrelations.
B C
The playing of the Music
The playing of the Music
Discord of Melko, the Three Themes
Discord of Melkor, the Three Themes
MORGOTH`S RING - AINULINDALË - Version C - 24
Declaration of Ilúvatar to the Ainur: the Declaration of Ilúvatar to the Ainur: 'I Music has been given Being ; the things
will show forth the things that you
that Melko has introduced into the have played'
Design
The Ainur see the World made real
The Ainur see the World in vision; they
see the coming of the Children of
Ilúvatar
Elves and Men made by Ilúvatar alone;
the love of the Ainur for them
Desire of the Ainur for the World, and
the desire of Melkor to have dominion
in it
Joy of the Ainur in the elements of the Joy of the Ainur in the elements of the Earth
Earth
Ulmo's concern with waters, Manwë's Ulmo's concern with waters, Manwë's with the airs, Aulë's with the fabric of
with the airs, Aulë's with the fabric of
the Earth
the Earth
Desire of the Ainur for the World, and
the desire of Melko to have dominion
in it
Elves and Men made by Ilúvatar alone;
nature of the Children and their
relations with the Ainur
The vision of the World taken away;
unrest of the Ainur
Ilúvatar gives Being to the vision
Entry of the Ainur into the World
Entry of the Ainur into the World
Melko walked alone; Ulmo dwelt in the
Outer Ocean; Aulë in Valinor; Manwë
with Varda on Taniquetil. Relations
with the Teleri, Noldor, Lindar
The forms taken by the Valar, some
male, some female
The World unshaped; agelong labours of
the Valar
Strife between Melkor and the Valar;
withdrawal of Melkor from the Earth
The forms taken by the Valar, some
male, some female: 'I have seen
Yavanna'
MORGOTH`S RING - AINULINDALË - Version C - 25
Melkor's return; first battle of the Valar
for the dominion of Arda; elemental
strife
End of the