and tossed it on his desk. The kidskin glove had no mate, for he had made only the one, expressly for the task of keeping ink stains off his fingers while he wrote, so that people would not constantly mistake him for a scribe. It also served as a reminder that if he did not become successful as a poet or a player, there was always his father's trade of glovemaking to go back to, something he earnestly wanted to avoid.
He sighed wearily and ran his hands through his thinning, chestnut hair. "I do not know how I shall ever manage to write anything at all with the likes of you about. At this rate, I do not think that I shall ever manage to get past 'Act I, Scene I, Enter funeral.'"
" 'Enter funeral?' Well, there's a cheery opening. What happens in Act II? A war?"
"What, are you a critic now? 'Strewth, you may as well be. You cannot write, you cannot act; clearly, you have all of the right qualifications. You even add a new one; you review my play before I have even written it. A brilliant innovation, I must say. Just think of all the time it saves."
Smythe grimaced. "Never mind, go back to work if you are going to be so surly."
"Well, now that you have muddled up my muse beyond all recognition, you may as well tell me what is on your mind, for clearly, something troubles you. I know that mien of yours when something preys upon your brain. The very air around you is turbid and oppressive. So, come on, give voice to it, or else neither of us shall have any peace upon this night."
"To be truthful, I am not quite certain what the matter is," Smythe said, with a grimace.
"Hmm. Twill be like pulling teeth, I see. Very well, then, what does it concern?"
"Not what so much as whom. Methinks 'tis your new friend, Ben Dickens."
"Ben? Why? He seems like an absolutely splendid fellow."
"Oh, I grant you that," Smythe replied. "He does seem like a decent sort, yet there is still something about him… something… I do not know what; I cannot quite put my finger on it."
"You are not envious of him, surely?"
"I should not like to think so. I but bemoan my own shortcomings, as you know, and I admit them freely. Now that you mention it, however, I can see how others might well envy Ben his winning ways. To wit, those two apprentices, Jack and Bruce, his friends of old."
"He would be better off without such friends, if you ask me," said Shakespeare, disapprovingly.
"Oh, I quite agree," said Smythe. "A thoroughly unpleasant pair, they were. You saw the way they looked at Molly?"
"Aye," Shakespeare replied, with a grimace of distaste. "The way a hungry wolf looks upon a lamb. Especially that Bruce. And did you mark how she never once came near our table after those two came in?"
"So you noted that, as well. I thought you did."
"I did, indeed. And from it I deduce that Molly is an excellent judge of character. But what has any of this to do with Ben?"
Smythe shook his head. "I cannot say." He frowned. "And yet I feel a disquiet in my soul about him."
"A disquiet in your soul?" Shakespeare grinned. "Odd's blood, have you developed poetic sensibilities?"
Smythe snorted. "If so, then 'tis entirely your fault, for you are a bad influence. The way you walk about, mumbling verses to yourself, 'tis bound to rub off on one sooner or later."
Shakespeare raised his eyebrows. "I mumble verses?"
"Constantly. Under your breath, sometimes even in your sleep."
"Indeed? I had no earthly idea. In my
sleep,
you say?"
"Aye. Not all the time, but often enough that you wake me upon occasion."
"Truly? How extraordinary. When I do so, would it trouble you to write it down?"
"Now there speaks a writer," Smythe replied. "Not 'I am sorry, Tuck, for troubling your sleep with my dreamful babble,' but 'Would it trouble you to write it down?' Selfishness, thy name is poetry!"
"Oh, say, that is not bad at all! Wait, let me set it down…"
Smythe threw a pillow at him.
"Zounds! Watch out, for God's sake! You will upset my inkwell!"
"If I do, then 'twill
Mark Russinovich, Howard Schmidt