terror. There was, I kept telling myself, nothing to be afraid of. Alan was here, the passage wasnât going to close in on me, there was plenty of air to breathe.
We couldnât walk abreast, but I stayed so close behind Alan that I was in danger of stepping on his heels. After several centuries the passage widened out into a well-lit space. I took a few deep breaths. âThe chapel?â I said hopefully, though it certainly didnât look like one.
âA latrine,â said Alan, pointing to a sign on the wall. âSorry. Are you all right?â
âNo, but letâs push on. Weâre bound to get there eventually.â
âWhy donât you go first? Is it better when you can see a clear space in front of you?â
âMarginally.â I gritted my teeth and moved out of the light.
âAaaahhh!â
FOUR
âW hat? What is it, love? Are you all right?â Alan asked frantically.
I flailed wildly at my face and neck. âA spider! There was a web, and I ran into it, and this huge spider . . . oh, Alan, can you see it? Did it get into my hair?â
I was trembling and my heart was racing. Alan pulled me close to him and held me with one arm while with the other he patted me down like an efficient policeman.
âItâs all right, love. No spider. Itâs all right. Easy, dear heart. Here, letâs go on to where itâs lighter.â
Murmuring encouragement, he pushed me ahead, and finally, finally, we were in the ancient chapel, a place of light and peace and calm. There was a bench in front of the simple wooden table that served as the altar. I sank down on it and tried to catch my breath.
Alan waited patiently, his hand warm on my shoulder.
âIâm sorry,â I said finally. âI didnât mean to make a fool of myself. Maybe there never was a spider. But there was definitely a web. It brushed my face, and . . . well, I wasnât quite myself anyway.â
âDonât worry. No one else was around, and Iâll never think you a fool. Look, love, these walls were painted once. See the remnants?
I appreciated Alanâs attempt at distraction and tried to respond. There were certainly tiny flakes of colour still adhering to the walls. âWhat a shame itâs all gone. Do you suppose there was once stained glass in the windows?â The tiny lancet windows were still attractive with their simple, clear diamond panes.
âProbably. And a much more elaborate altar. Itâs remarkable, though, that this much has been preserved.â
I sat and let the peace replace my irrational fears, until a small group of tourists appeared and we left to make way for them. The way out, fortunately, was far less convoluted than the way in, and we were back on the grass of the inner ward.
âThis must be where theyâre going to hold the festival,â I said, looking around. âThat sort-of window over there would serve as a perfect balcony for an antiphonal choir, or trumpet fanfares. But goodness, thereâs no shelter at all. What on earth are they going to do if it rains?â
âCarry on, I expect. We are rather renowned for that approach, you know.â
âKeep calm and carry on, as the wartime posters said. I want one of those T-shirts. But seriously, wouldnât the singers worry about their throats and the players about their instruments?â
âPerhaps, but . . .â
âDorothy Martin?â
The accent was Canadian, the voice familiar. I turned around. âPenny? What a pleasant surprise! What are you doing here?â Penny Brannigan, an ex-pat like me, had moved from Canada to a small Welsh village some years ago. We met when I dropped into her salon one day to have my first-ever manicure, and again while Alan and I were doing some walking in the Cotswolds.
âThe same as you, I imagine,â she replied. âTouring Welsh castles. This is a terrific one, isnât it? Lots of