atmosphere. I even imagined I heard a bloodcurdling scream a few minutes ago. A ghost in the dungeons, no doubt.â
âOh, dear.â I could feel my face growing warm. âThat was me. Iâm an absolute idiot about spiders, and I thought I saw one. I know for certain there was a web.â
âOoh! I hate spiders! I was shut up in an old basement once when I was a child, and it was full of them.â She shuddered. âAnd the webs are just as bad. When they brush against your face . . .â
Alanâs mobile tootled just then. He glanced at it, then answered. âAh, Nigel. We were beginning to wonder what had become of you two.â Pause. âYes, we gathered as much. No, weâre having a fine time exploring Flint Castle. Are you going to have time for lunch?â Pause. âRight. Give me directions, and Iâll repeat them to Dorothy so she can write them down.â
He dictated Nigelâs directions to a pub not far away. âPenny,â he said courteously, âweâre about to have lunch with some friends. Will you join us?â
âThanks, but Iâm meeting someone for lunch, too. Great to see you again!â
We waved and made our way to the car park. I left the castle somewhat reluctantly, spider and narrow passages notwithstanding. Now that we were out in the sunshine, I was once more fascinated with the labyrinthine design of this remarkable structure, with its spaces for living and working and sleeping and praying, its massive defences, and its ability to withstand its enemies, except for the final and inexorable one of time.
âLetâs come back after lunch,â I urged Alan as he looked for the way out. âI want lots of time to explore this place.â
âExcepting the inner passageways, I presume?â
âWe can buy a flashlight somewhere. Light helps a lot.â
When we met up with Nigel and Inga, everyone was full of explanations and apologies.
âI thought Iâd said where we were rehearsing,â said Nigel. âNo, no, this roundâs on me. Whatâs everyone having?â
The day had become very warm, so I opted for cold lager, the rest jeering at my American tastes, âwanting every drink to freeze oneâs teethâ. I ignored them. âSo where are they in fact rehearsing?â I asked Inga, while Nigel and Alan went to the bar to get the beer and order our food.
âWell, they couldnât very well keep the castle closed to the public for two whole weeks, not in high tourist season, so Sir John, or his secretary probably, found a nice big parish church nearby. The acoustics are quite different from an outdoor venue, of course, but thereâs plenty of space, and thereâll be mikes and speakers at the castle, so Nigel thinks it should work out. Thatâs not the problem.â
âSo what is? Thank you, Nigel.â I raised my glass in salute.
âYou tell them, Nigel.â
He nodded, but first buried his face in his pint. âAhh! Thatâs better. Good beer in this place. So Ingaâs been telling you about our prima donna, has she?â
âNo,â I said, âsheâs left the story to you. Tell.â
He downed another healthy swallow of beer. âWell, you know I told you the mezzo hadnât got here when she was supposed to? She lives in South America somewhere â Brazil, I think â and there was some problem about flights. Weather or something. Anyway, sheâs here now, so weâre doing the opera scenes, without the chorus, just the quartet. And I personally think sheâd have done us a favour by staying away.â
âOh, dear. Why? Canât she sing?â
âOh, she can
sing
.â Nigel finished his beer. âSheâs not perfect, but who is? Lots of power, lots of drama, and sheâll make a fantastic Carmen. What that woman doesnât know about sex . . .â
âRight,â said Inga, addressing
Dorothy Hoobler, Thomas Hoobler