rolled up to the elbows. He led them into his studio in the half-cellar, a vaulted room that smelled of ink and was lit by oil lamps, which he hurried to turn up.
âThe text?â he asked Michaud.
âHere it is,â said Morin, unrolling Sémallé's sheet, which he took from his pocket.
âThereâs no time to lose.â
âHow many could you print off in an hour?â
âAbout four hundred.â
âIs that all?â asked Octave.
âWhat? I havenât got a steam-driven machine like they have in London, Monsieur! Iâm a simple craftsman, and I canât afford to go any faster.â
âI know,â replied Morin.
âHave you had any cause to complain of my services?â
âCome now! Letâs have no bickering,â La Grange interrupted impatiently.
While Octave kept watch on the street through a grilled basement window, the printer began to set the text, taking the characters one by one from their wooden boxes.
âIs there anything we can do to help?â
âAbsolutely not,â grunted Michaud. âItâs a craft.â
He inked the letters with a brush, and sheet by sheet he worked his machine, its noise amplified beneath the vaulted ceiling in the calm of dusk. La Grange picked up the first poster and read it in a murmur by the light of a lamp:
Â
People of Paris, the hour of your deliverance has come.
May a feeling stifled for many years find voice in the cry,
repeated a thousand times over:
Long live the King!
Long live Louis XVIII! Long live our glorious liberators!
Â
âShut up!â Octave said suddenly, nose still pressed to the basement window.â
âWhat?â
âBe quiet, I tell you, I can see a pair of gaiters approaching.â
âItâs nothing,â said Michaud, pushing down on his manual press. âWeâre behind the Banque de France, and the National Guard are just patrolling as normal.â
âThis isnât a normal evening,â insisted Octave, and theyâve stopped by the door, theyâre talking to each other ...â
The sound of a musket-butt striking the door finally made them fall silent and Michaud sighed:
âDonât move, Iâll go. I know the local Guards.â
He climbed the three steps, leaving the communicating door half open so that the conspirators below could follow his conversation with the officer of the National Guard, formerly a fashionable tailor.
âThereâs a lot of noise going on for the time of night!â
âIâm late with a piece of work.â
âIn spite of events?â
âBecause of them. I havenât got an assistant, so Iâm doing it myself, and Iâm up against it.â
âAll on your own?â
âYes.â
âSurely not,â said another voice, âIâm convinced there was an unusual amount of activity in here, I saw it with my own eyes.â
âI was having some paper delivered.â
âCan I take a look at your studio?â
âOf course, but why would you want to? Come on, Iâll give you a bottle to help you get through the night!â
There was laughter, the sound of backs being slapped and then footsteps, followed by the front door closing. Michaud returned to his press: âTheyâll be back, Iâm sure of it, you should leave discreetly . . .â
âBut what about our posters?â asked Morin.
âThere are about thirty already printed,â Michaud told him. âTake those, Iâll go on working and everything will be ready for our bill-stickers tomorrow morning.â
âBut if the guards come back,â said Octave, âtheyâll read our prose.â
âDonât worry, Iâll tell them Iâm doing some printing for a theatre thatâs about to reopen. Iâll put older posters on top of what weâve printed ...â
He showed them a pile of posters announcing a vaudeville by