Hillman, an eye to the décor.
OK, I say. This is what were going to do.
Theyre all leaning forward, notebooks out.
Im going to give you each a year or two of the investigation and twenty-four hours to get to grips with the files. First thing tomorrow morning well meet and start going over the files together. This way youll have detailed and specific knowledge of certain cases and a good overview of the investigation as a whole.
Each of the cases youre assigned, youre going to need to know inside out, to the finest detail, but
A pause, a beat:
You need to pay special attention to the following and list:
The names of all persons mentioned, be they witnesses, suspects, whatever, listed alphabetically.
A low whistle from Alec McDonald.
Itll be a long list, aye Alec, I say. And Im not finished; plus I want descriptions of all suspects, descriptions of all cars sighted or investigated, alphabetically by make, year, and colour. Finally the names of all policemen involved in the case, alphabetically.
Policemen? repeats Hillman.
Yes. No matter how minor their role.
Silence
OK?
Silence
Mike 1974 and 75, including Clare Strachan.
A nod.
Helen, 76. Another nod.
John, you got the short straw: 77.
Liz McQueen?
Amongst others.
Alec McDonald sighs: 78 and 79?
No, thatd give you five, I say. Just 78. Ill take 79 and this last one.
Notebooks open, already writing.
Me: OK, listen
Another pause, another beat, before I say: His name, the Rippers name, its in those files. Theyve met him.
Helen Marshall says quietly: How can you be so sure?
Trust me, I say. Ive asked for the names of any person who has been arrested in connection with any crime involving prostitutes, again no matter how minor or insignificant. Because hes known.
George Oldman did say if he met the Ripper hed know him instantly, says Mike Hillman.
I close my eyes, hands together
Let me add that youre to list everyone irrespective of blood type or accent. Especially accent.
So were not looking for a Geordie then? grins Alec McDonald.
No.
A last pause, then
Were looking for the Yorkshire Ripper.
One final beat
And were going to find him.
Back upstairs, on the edge of the hotel bed, dialing Millgarth: Assistant Chief Constable Noble please?
Whos calling?
Assistant Chief Constable Peter Hunter.
Hold.
Murphys leaning against a cheap chipped dressing table, snow falling on the roof of Leeds City Station, the windows rattling with the trains and the traffic, the wind and the draughts.
You realise how many bloody names were going to get?
I start to speak, but put my hand up, listening
The Assistant Chief Constable is in a meeting. Hell call you back.
I say: You tell him its urgent.
Ive been told to hold all calls.
Its an emergency.
But
I am Assistant Chief Constable Peter Hunter of the Greater Manchester Police Force and Im ordering you to put me through.
Hold.
Fucking hell, mutters Murphy.
I take a deep breath.
Peter Noble speaking.
Peter? Peter Hunter here. Sorry to disturb your meeting.
Yes?
The office? Is it available? Whats happening?
What?
The Chief Constable said last night that an office on the same floor as the Murder Room would be made available for the use of me and my team, yeah?
And you want it now? This minute?
Please.
Silence
I look up from the grey carpet.
Murphys shaking his head.
Noble asks: Where are you?
The Griffin.
Its nine
Half past.
Whatever. An office will be ready by one.
Thats the earliest
The earliest.
OK if we come over now and start getting copies of the files we need?
Another silence
Noble: No-ones explained the system then?
What system?
Well, we obviously cant just let you take stuff willy-nilly.
Of course
Not a