milky eyes suggests that an attempt is being made to cast a sort of spell and render me incapable of flight or self-defense.
Because of my gifts, this creature has no more power over me than does Norris Hiskott. But maybe its attempt to fix me in place with a psychic skewer, like a lepidopterist pinning a butterfly to a specimen board, opens a channel between us that transmits the beast’s intentions to me.
Then I realize that I’ve missed more than one opportunity to kill the thing. Worse, I no longer have the pistol in a two-hand grip. I’ve allowed the muzzle to drift off target. To a degree, I’m susceptible to the creature’s unspoken suggestions, after all.
Bringing the gun up, both hands on the grip, I fail to move when my adversary does, and abruptly it looms over me, seizing my head in both bony hands, to hold me steady for the sting. It stinks of burnt matches, rotting roses. The milky eyes are two chalices of steaming anesthetic and bitter venom. A strong supple scaly tail, previously unnoticed, whips around my legs. The capelike mass of loose skin billows out and then forward to enwrap my body, as if I am soon to be a monk of its satanic order, robed and cowled and moon-eyed alike to it.
The first shot takes the beast point-blank in the chest.
Its grip on my skull only tightens. The dripping hornlike probe extrudes from its brow. It rears back its Gorgon head, the better to slam the horn through my skull, linking brain to brain.
Trapped between us, angled upward, the gun discharges, gouging a gout of flesh and splintered wedge of jawbone from the fiend’s face, instantly collapsing its grin of triumph.
The hideous cape of skin slips away from me, the tail unwinds from my legs, one calloused clammy hand slides along my face, but yet the creature’s head darts down to gore my brow.
Fired into that red-toothed and howling mouth, the third bullet spares me by coring the brain, shattering through the back of the head, and drilling into the ceiling. The curiously articulated legs fold this way and that, the hooked hands seem to seek a grip upon the air, and the beast drops, falls back, faceup, no luster any longer in its eyes, the cape of skin, like a mortuary shroud, draping its body.
It lies still except for the rolled collar of excess skin around its neck. Perhaps in some postmortem reflex, that dark-gray rouleau unspools, insinuates itself between the carpet and the broken skull, and creeps across the top of the head, over the brow, and down the face, whereupon it quivers and becomes as lifeless as the visage that it covers, as though the creature had been given license to walk the Earth on the condition that in both life and death it recognize the shame of its appearance and its purpose.
From the cellar rises an inhuman cry that might be an expression of rage, although to me it is more like a lamentation, a sorrowing, woven through with bright threads of sharp anxiety. This is a cry of madness, as well, of melancholy alienation from all that might give comfort.
I could pity what mourns and cowers in the darkness below, if I didn’t expect that it was another like the one I just killed and that, given the chance, it would induct me into their hive.
As the plaintive cries subside, I consider sitting and waiting for Hiskott and the third of his guards to come looking for me rather than risk searching further, when behind every closed door might wait a thief of minds and a collector of souls. But the insect-infested furniture isn’t appealing, and the deeply unwholesome atmosphere will corrode courage if I linger too long.
The stench of burnt matches and rotten roses clings to me, and I feel soiled by the touch of those hands and the embrace of that cape. I would like nothing more than to wash my hands and face, but even if I dare to delay to scrub away the smell, I don’t trust even the water in this place to be safe and pure.
In the foyer once more, I stand listening to the house. A pool of
Back in the Saddle (v5.0)