unpleasantness. Realizing that he would have the wind in his face all the way to the power station, he decided to make use of his bit of rag. To meet the contingency of a headwind he, like many other prisoners, had got himself a cloth with a long tape at each end. The prisoners admitted that these helped a bit. Shukhov covered his face up to the eyes, brought the tapes around below his ears, and fastened the ends together at the back of his neck. Then he covered his nape with the flap of his bat and raised his coat collar. The next thing was to pull the front flap of the hat down onto his brow. Thus in front only his eyes remained unprotected. He fixed his coat tightly at the waist with the rope. Now everything was in order except for his hands, which were already stiff with cold (his mittens were worthless). He rubbed them, ho clapped them together, for he knew that in a moment he'd have to put them behind his back and keep them there for the entire march.
The chief of the escort guard recited the "morning prayer," which every prisoner was heartily sick of:
"Attention, prisoners. Marching orders must be strictly obeyed. Keep to your ranks. No hurrying, keep a steady pace. No talking. Keep your eyes fixed ahead and your hands behind your backs. A step to right or left is considered an attempt to escape and the escort has orders to shoot without warning. Leading guards, on the double."
The two guards in the lead of the escort must have set out along the road. The column heaved forward, shoulders swaying, and the escorts, some twenty paces to the right and left of the column, each man at a distance of ten paces from the next, machine guns held at the ready, set off too.
It hadn't snowed for a week and the road was worn hard and smooth. They skirted the camp and the wind caught their faces sideways. Hands clasped behind their backs, heads lowered, the column of prisoners moved on, as though at a funeral. All you saw was the feet of two or three men ahead of you and the patch of trodden ground where your own feet were stepping. From time to time one of the escorts would cry: "U 48.
Hands behind back," or "B 502. Keep up." But they shouted less and less; the slashing wind made it difficult to see. The guards weren't allowed to tie cloth over their faces.
Theirs was not much of a job either.
In warmer weather everybody in the column talked, no matter how much the escort might shout at them. But today every prisoner hunched his shoulders, hid behind the back of the man in front of him, and plunged into his own thoughts.
The thoughts of a prisoner--they're not free either. They kept returning to the same things. A single idea keeps stirring. Would they feel that piece of bread in the mattress? Would he have any luck at the dispensary that evening? Would they put Buinovsky in the cells? And how did Tsezar get his hands on that warm vest? He'd probably greased a palm or two in the warehouse for peoples private belongings. How else?
Because he had breakfasted without bread and eaten his food cold, Shukhov's belly felt unsatisfied that morning. And to prevent it complaining and begging for food, he stopped thinking about the camp and let his mind dwell on the letter he'd soon be writing home.
The column passed the wood-processing factory, built by prison labor, the workers' settlement (the huts had been assembled by prisoners too, but the inhabitants were civilians), the new club (convict-built in entirety, from the foundations to the mural decorations--but it wasn't they who saw the films there), and then moved out into the steppe, straight into the wind heading for the reddening dawn. Bare white snow stretched to the horizon, to the left, to the right, and not a single tree could be seen on the whole expanse of steppe.
A new year, 1951, had begun, and Shukhov had the right to two letters that year.
He had sent his last letter in July and got an answer to it in October. At Ust-Izhma the rules had been different: you