it in graceful curves, stirred into motion by the horses’ trot. Or a wreath of it would start to dance, as if gently pulled or plucked at from above; and it would revolve, faster towards the end, and fade again into the shadows behind. I thought of a summer in Norrland, in Sweden, in the stone-and-birch waste which forms the timberline, where I had also encountered the mist pools. And a trip down a stream in the borderland of the Finns came back with great vividness into my mind. That trip had been made in a fog like this; only it had been begun in the early morning, and the whole mass of the mist had been suffused with the whitest of lights. But strange to say, what stood out most strikingly in the fleeting memory of the voyage, was the weird and mocking laughter of themagpies all along the banks. The Finnish woods seemed alive with that mocking laughter, and it truly belongs to the land of the mists. For a moment I thought that something after all was missing here on the prairies. But then I reflected again that this silence of the grave was still more perfect, still more uncanny and ghostly, because it left the imagination entirely free, without limiting it by even as much as a suggestion.
No wonder, I thought, that the Northerners in their land of heath and bog were the poets of elves and goblins and of the fear of ghosts. Shrouds were these fogs, hanging and waving and floating shrouds! Mocking spirits were plucking at them and setting them into their gentle motions. Gleams of light, that dance over the bog, lured you in, and once caught in these veils after veils of mystery, madness would seize you, and you would wildly dash here and there in a vain attempt at regaining your freedom; and when, exhausted at last, you broke down and huddled together on the ground, the werwolf would come, ghostly himself, and huge and airy and weird, his body woven of mist, and in the fog’s stately and leisurely way he would kneel down on your chest, slowly crushing you beneath his exceeding weight; and bending and straightening, bending and stretching, slowly – slowly down came his head to your throat; and then he would lie and not stir until morning and suck; and after few or many days people would find you, dead in the woods – a victim of fog and mist….
A rumbling sound made me sit up at last. We were crossing over the “twelve-mile bridge.” In spite of my dreaming I was keeping my eyes on the look-out for any sign of a landmark, but this was the only one I had known so far, and it came through the ear, not the eye. I promptly looked back and up, to where the cottonwoods must be; but no sign of high,weeping trees, no rustling of fall-dry leaves, not even a deeper black in the black betrayed their presence. Well, never before had I failed to see some light, to hear some sound around the house of the “moneyed” type or those of the “half way farms.” Surely, somehow I should be aware of their presence when I got there! Some sign, some landmark would tell me how far I had gone! … The horses were trotting along, steaming, through the brewing fog. I had become all ear. Even though my buggy was silent and though the road was coated with a thin film of soft clay-mud, I could distinctly hear by the muffled thud of the horses’ hoofs on the ground that they were running over a grade. That confirmed my bearings. I had no longer a moment’s doubt or anxiety over my drive.
The grade was left behind, the rut-road started again, was passed and outrun. So now I was close to the three-farm cluster. I listened intently for the horses’ thump. Yes, there was that muffled hoof-beat again – I was on the last grade that led to the angling road across the corner of the marsh.
Truly, this was very much like lying down in the sleeping-car of an overland train. You recline and act as if nothing unusual were going on; and meanwhile a force that has something irresistible about it and is indeed largely beyond your control, wafts you
Learning to Kill: Stories