hadnât been there before. âNot like the old Selma to fuss over her appearance. You thinkâ?â
âLazlo?â Remi finished.
They watched her until she and the dog disappeared from sight. Returning his attention to the book, he slipped it from the FedEx box onto the kitchen table, then unwrapped the brown paper, exposing the leather cover with the gold-tooled title. He could see why Remi had been drawn to it. âThis is quite the find.â
She opened the refrigerator and took out a bottle of sparkling water. âThey went to a lot of trouble to make it look like an antique. Theyâre printed in China to keep the cost down.â
âMr. Pickering said this was a copy?â
She poured two glasses. âOne of several. Why?â
He looked over at her, saying, âYou might want to rethink that.â
âIâm thirsty.â
âI mean, around the book.â He stood aside so that she could see. âNo way is this some made in China copy, Remi. Itâs the real deal.â
Six
R emi stared for several seconds, noticing the worn leather binding, the gold-tooled markings, gilded pages, and the inked typeset lettering that could never be mistaken for modern-day laser print. âThis is not the same book he showed me.â
âThen how did you end up with it?â
âI donât know. I only paid forty-nine dollars plus tax. Iââ Remi reached out and touched it, then pulled her hand back. âWe should be wearing gloves.â
âBack up there, Remi. What do you mean you only paid forty-nine dollars for this? Or did you forget a few zeroes before that decimal point?â
âNo. But when that gunman walked in, Mr. Pickering grabbed the reproduction from me and said heâd wrap it up. The book he took from me was
not
this one.â
âDo you think he switched it with the book from the safe?â
âHe must have. He must have known that manâs intent when he saw him walk into the store.â She glanced down at the volume on the table, still unable to believe what she was seeing. âWe should probably let the police know about this.â
âUndoubtedly. But if we do that, theyâre going to want to see it. And, right now, Iâd like to know whatâs so important about this particular volume.â
âSo we take it to the expert in Phoenix first?â
âDefinitely. Then we inform the police.â
They flew to Phoenix the following morning, meeting with Professor Ian Hopkins, whose studies focused on sixteenth- and seventeenth-century English literature. He also repaired antique books, a hobby heâd taken up after his retirement, and was working on one when they walked in. He looked at them over the rims of his dark-framed glasses. âYou must be Mr. and Mrs. Fargo.â
âWe are,â Sam replied. âBut call us Sam and Remi.â
âIan,â he said, standing. He reached out and shook hands with them both. âSo. My friend Lazlo tells me you have a decent copy of
The History of Pyrates and Privateers
.â
Remi pulled the carefully wrapped book from her tote and set it on the counter. âWe werenât aware that it was supposed to be particularly valuable, but it seems someone believes it is.â
âLetâs have a look.â He donned white gloves, then examined the book, turning it over in his hands. âFull leather binding and spine in good shape. The gold-tooled geometric pattern on front and back still visible . . . Gilding on the page edges apparent, not worn . . .â He set the book on the table, then opened the cover.âThis,â he said, running his gloved hand on the front endpaper, illustrated with a map, then flipping the book over and opening the back of the cover, also illustrated with a map, âis where the value lies in copies of this particular book. The endpapers have been removed from most of the copies