candlelight was trapped in their mystic depths. âOf course.â
âI canât afford to take the chance that the competition might find out what weâre doing because weâre working on an entirely new concept.â It sounded like a warning. His eyes had deepened to a threatening gray in the gathering dusk.
âI understand.â She took a sip from the wine to clear her throat. A warm breeze lifted her hair away from her face and the candlelight caught on the burnished strands. âWhat is this new concept? â She couldnât mask the interest in her voice.
He watched her carefully. âWhat we want from you is a thread of continuity in all of the cuts from that one album. For example, the first song, the one you just heard in the car, is about a young man who finds out that his live-in lover has been unfaithful and that sheâs leaving him for the other guy. All in all the lyrics are pretty basic, melancholy rock and roll.â
Maren nodded. Nothing he had told her was out of the ordinary. Not yet. But apparently he thought he was offering her the opportunity of a lifetime. She could read it in his intense gaze.
âOkay. In the following song, this same man is out on the streets, looking for another woman. Heâs still alone, but instead of hoping his lover will see her mistake and come back to him, heâs relieved that their affair is over.â
âSo much for love everlasting,â Maren noted cuttingly.
The corners of Kyleâs mouth quirked as if he might smile, but he seemed to think better of it. âThe point is that I want to see some part of the original tape cut into the second and quite possibly the third. I want a visual image that carries through the entire five-song story. For example, the actress who plays the lover on the first tape should also appear in the following sequences. I donât care if sheâs just an elusive memory, or if he actually sees her again. Iâll leave that part of it up to you. But I want the visual story to flow smoothly and be not only a story in itself, but also to contain a vital part of the five-chapter song.â
âAnd the reason youâre doing this is so that one side of a video disk will display a twenty-five-minute movie that you can sell.â
Kyle smiled and the lines of his face seemed less harsh. âOne reason,â he agreed slowly. Ryan had tried to tell Kyle about Maren McClureâs intelligence, and the man had been right. The lady was definitely not easy to pigeonhole. Kyle wondered why a man would even want to try and stereotype Maren. Her air of mystique intrigued him; her keen mind beckoned himâ¦Maren broke into his dangerous thoughts.
âSo youâre looking for a record of something like a television miniseries.â
âYou could look at it that way,â he acquiesced. The woman with the icy blue eyes and flaming hair was quick, there was no doubt about it. âThe principal characters of the plot would, of course, be members of Mirage.â
Maren held back the sigh in her throat. Teaching rock stars to act was one of the largest stumbling blocks in the making of videotapes. The musicians were great when called upon to lip-synch the words to a studio recording while playing their instruments, but when called upon to act, very few could perform without a considerable amount of coaching. Fortunately J. D. Price, the lead singer for Mirage, was handsome and had some acting experienceâtwo big plusses. It made Marenâs job considerably easier.
âSo you expect me to outline all of the action on storyboards for all five cuts and have the first tape ready to be released by the end of May?â Kyle nodded as the tuxedoed waiter brought steaming platters of Italian scampi to the table. After refilling their glasses, the waiter once again left them alone on the balcony. Maren thought about the work ahead of her, should she accept Kyleâs offer.
Aj Harmon, Christopher Harmon