Plague Lords (Empire of Xibalba, #1) by James Axler Read Free Book Online Page B

Brazil. Or a squatter camp in South Africa.
    That said, the grounded container ship’s bounty had provided every ramshackle hut with its own Taiwanese knock-off Weber kettle and fancy barbecue tools, and its own plastic lawn furniture.
    The Nuevo-Texicans were damn proud of their little corner of the world.
    Daniel Desipio, twentieth-century freezie, had a different perspective: a shithole by any other name.
    For what had to have been the thirtieth repetition in as many hours, the Fire Talker recited the story of how the Vikings acquired the time dilator, the desperate bargain they had made with the Martian hordes, and their combined exploitation of the ancient Norse Runestone Concatenation. That terrestrial-extraterrestrial plot had been frustrated by the intervention of the Iroquois Ninja princess—proud, statuesque, with raven hair and slanted black eyes, and spots of blushing rose in the centers of her buckskin-colored cheeks—and of her singing katana, and her coterie of cloud operatives that moved from one human mind to another like stops on a subway line.
    As he mechanically regurgitated the pulp fiction series’ canon—something he could have done in his sleep—Daniel watched his audience for the initial, subtle signs of infection. A growing restlessness. A flushing of the face. A sensitivity to light. He visualized the viruses invading individual host cells, commandeering reproductive machinery, replicating until their sheer volume burst cell walls, then spewing forth in a torrent, hardwired to penetrate and infect new cells: an unstoppable, rising tide of the submicroscopic, leading to debilitation, agony and horrible death. All of which derived from the poison that lurked in his 137-year-old blood, and to which he was happily immune.
    Whenever Daniel reflected on what had led him to his most peculiar fate, the answer was always the same: the blind pursuit of Art. It was what had animated and enthused him since the third grade when he started reading and collecting various pulp action series from second-hand bookstores. He had pored over the “Golden Age” titles until the yellowed, musty pages dropped from the bindings, absorbing the nuances of style and content. All Daniel Desipio had ever wanted to do was to write adventure books like those. Doggedly determined, he had eventually achieved his goal, but in the twenty years between his introduction to pulp and his first sale of a novel, the industry had changed. Series action fiction had become a franchise operation, produced by hamsterwheeling, faceless ghost writers; it was in effect a dead-end career.
    Slaughter Realms, the house-owned pulp series he had slaved upon for seven years, had had several nameless authors and had run to well over 250 titles. All nagging questions of artistic control and continuity had been resolved by Armageddon, by more than a century of elapsed time, and by his unlikely survival.
    Even before the nukecaust, individual books in the series had been forgotten, consigned to landfills and bonfires, and along with them Daniel’s contributions to the canon. He had come up with gemlike, signature exclamations for two of the main running characters, Ragnar the Viking and Nav Licim, the wilted but defiant patriarch of the celery people. In return for his devotion to his Art, Daniel Desipio received no author credit, an hourly wage well below the established national minimum and no royalties on book sales.
    The turning point for him had come on March 13, 1998, when after finishing his twenty-ninth book in the series he had asked the publisher for a hundred-dollar raise and was denied. Crushed and mortified, for the first time Daniel actually considered abandoning his lifelong dream. He considered becoming a Realtor. If he had taken that career course, he would have certainly perished along with almost everyone else in the U.S. on that January day in 2001. But in a moment of pure inspiration, fueled by the depths of his outrage and