sedan, which was Wolfe's by purchase but mine by mandate, and headed for the West Side Highway.
It was now twenty to one in my book, or maybe thirty to one, that Kenneth Rennert was not it. Whoever had planned and handled the campaign, writing the stories and picking the accomplices and taking advantage of the different circumstances for planting the manuscripts, was no tumbler, but Rennert was. Having suspected, or decided, that Mortimer Oshin was Wolfe's client and I was trying to slip one over, which had not required any strain on the brain, if he had been half smart he would have played me along instead of bouncing me. He was just one of the chorus, not the star. I had filed him away by the time I left the Henry Hudson Parkway at Exit Eleven.
Riverdale, whose streets were planned by someone who couldn't stand the idea of a straight line, is a jungle for a stranger, but I had a good map and only had to turn around twice on my way to 78 Haddon Place. Rolling to the kerb in front, I gave it a look. There was too much bigger stuff, everything from tulip beds up to full-grown trees, to leave much room for lawns, but what grass there was would have been fine for putting practice. The house was stone up to your chin and then dark brown wood with the boards running up and down instead of horizontal. Very classy. I got out and started up the walk.
Hearing music as I neared the entrance, I stopped and cocked an ear. Not from inside; from the left. I took to the grass, rounded a corner of the house, passed a row of windows, turned another corner, and stepped onto a flagged terrace. The music, coming from a portable radio on a chair, had an audience of one: Jane Ogilvy. She was stretched out on a mat, on her back, with none of her skin covered except minimum areas at the two vital spots. Her eyes were closed. The deduction I had made from the photographs, in which she had been dressed, that she had a nice little figure, was confirmed. She even had good knees.
I was deciding whether to retreat around the corner and make another approach with sound effects, or stay put and cough, when her eyes suddenly opened and her head turned. She squinted at me five seconds and spoke. 'I knew someone had come. The felt presence though not perceived. You're real, I suppose?'
It was strange. It wasn't like a hunch; it was more as if I had asked a question and she had answered it. When Wolfe had eliminated her because of her testimony at the trial and the three poems she had read, I had had my doubts, but those few words from her settled it. If Rennert was now thirty to one, she was a thousand to one.
'Don't speak,' she said, 'even if you're real. There's nothing you could say that would be worthy of the moment when I felt you here. You may think I heard you, but I didn't. My ears were filled with the music, all of me was, when I felt you. If it were the Eve of Saint Agnes-but it isn't, and I am not supperless, and I'm not in bed& But what if your name were Porphyro'Is it-no, don't speak! Are you going to come closer?'
I agreed with her absolutely. There was nothing I could say that would be worthy of the occasion. Besides, my name wasn't Porphyro. But I didn't want to turn and go with no response at all, so I reached to the trellis beside me and picked a red rose, pressed it to my lips, and tossed it to her. Then I went.
At a phone booth in a drugstore a few blocks away I dialed Alice Porter's number in Carmel, and again there was no answer. That left me with nowhere to go and nothing to do. Of course Wolfe's idea in telling me to go and make the acquaintance of the quartet had been simply to get rid of me, since he knew that if I stuck around I would ride him; and even if I didn't ride him I would look at him. So I dialed another number, got an answer, made a suggestion about ways of passing the time for the next eight or nine hours, and had it accepted. Then I dialed the number I knew best and told Fritz I wouldn't be home for dinner. It was