their voices exaggerate! First one, another, then all, through the hours you can hear their enraged, embittered, moon-imploring tirades. S. says it is like a reversed alarm clock, for as soon as the dogs commence, and that indeed is early, it is time to go to bed. You might as well; the town has drawn shutters by ten, except, that is, on rahrah weekends, when drums and drunks drown out the dogs. But I like hearing a morning multitude of cock-crows; they set blowing a windfall of reverberations. On the other hand, what is more irritating than the racket of car horns? Haitians who own cars seem so to adore honking their horns; one begins to suspect this activity of political and/or sexual significance.
2. If it were possible, I should like to make a film here; except for incidental music it would be soundless, nothing but a camera brilliantly framing architecture, objects. There is a flying kite, on the kite there is a crayon eye, now the eye is loose and blowing in the wind, it snags on a fence and we, the eye, the camera, see a house (like M. Rigaud’s). This is a tall, brittle, somewhat absurd structure representing no particular period, but seeming rather to be of an infinitely bastard lineage: the French influence, and England in somber Victorian garb; there is an Oriental quality, too, touches that suggest a lantern of frilled paper. It is a carved house, its turrets, towers, porticoes are laced with angel heads, snowflake shapes, valentine hearts: as the camera traces each of these we hear a tantalizingsub-musical tap-rap of bamboo rods. A window, very sudden; a sugar-white meringue of curtains, and a lumplike eye, and then a face, a woman like an old pressed flower, jet at her throat and jet combs in her hair; we pass through her, and into the room, two green chameleons race over the chifforobe mirror where her image shines. Like dissonant piano notes, the camera shifts with swift sharp jabs, and we are aware of the happenings our eyes never notice: a rose leaf falling, a picture tilting crooked. Now we have begun.
3. Comparatively few tourists come to Haiti, and a fair number of those who do, especially the average American couple, sit around in their hotels in a superior sulk. It is unfortunate, for of all the West Indies, Haiti is quite the most interesting; still, when one considers the objectives of these vacationers their attitude is not without reason: the nearest beach is a three-hour drive, night life is unimpressive, there is no restaurant whose menu is very distinguished. Aside from the hotels, there are only a few public places where late of an evening one can go for a rum soda; among the pleasanter of these are the whorehouses set back among the foliage along the Bizonton Road. All the houses have names, rather egotistical ones: the Paradise, for example. And they are uncompromisingly respectable, perfect parlor decorum is observed: the girls, most of whom are from the Dominican Republic, sit on the front porch rocking in rocking chairs, fanning themselves with cardboard pictures of Jesus and conversing in a gentle, gossipy, laughing way; it is like any American summer scene. Beer, not whiskey or even champagne, is considered
de rigueur
, and if one wants to make an impression, it is the drink to order. One girl I know can down thirty bottles; she is older than the others, wears lavender lipstick, is rumba-hipped and viper-tongued, all of which makes her a popular lady indeed,though she herself says she will never feel like a success until she can afford to have every tooth in her head converted into solid gold.
4. The Estimé government has passed a law which forbids promenading in the streets sans shoes: this is a hard, uneconomical ruling, and an uncomfortable one as well, especially for those peasants who must bring their produce to market afoot. But the government, now anxious to make the country more of a tourist attraction, feels that shoeless Haitians might depress his potential trade, that the
M. S. Parker, Cassie Wild
Robert Silverberg, Damien Broderick