whatever Iâm working on. Heâs still brilliant, no matter what.â
âYou should turn him in to the police!â said Nektar. âThat man deserves to die.â
Ond looked uncomfortable. âIf you knew Jeff as well as I do, youâd have some sympathy for him. Heâs a lonely man. That boy Carlos who died in the model rocket accidentâhe was the only person Jeff ever loved. Yes, Jeffâs obnoxious and weird, and, like I say, heâs getting nuttier all the time. Being cooped up isnât good for him. He thinks heâs gonna invent teleportation, though who knows, he might actually do it. Itâd be a shame to kill him off. Like shattering the Venus de Milo. â
âOnd,â said Nektar. âJeff Luty wants to shatter the whole world !â
âHeâs suffering enough as it is,â said Ond. âFor all practical purposes, heâs living in solitary confinement. And most of the ExaExa board understands that we donât have to listen to him. They recognize that if we do things my way, the orphids will be autonomous, incorruptible, cost free. And, in the long run, profits will emerge. Iâll tell you something else. A big downside of keeping Jeff around is that he wants to create an improved breed of nants. And, as it happens, my orphids are the best possible defense. Itâs like Jeff and I are in a chess match. And right now Iâm a rook and a bishop ahead. So thatâs why Iâve gotten informal approval to go ahead and release the orphids.â
âHa,â said Nektar. âApproval from yourself. You want to start the same nightmare all over again!â She tried to snatch the vial from Ondâs hands, but he kept it out of her reach. Nektarâs symmetric features were distorted by unhappiness and anger. Her voice grew louder. âMindless machines eating everything!â
âMommy donât yell!â shrieked Chu.
âChill, Nektar,â said Ond, fending her off with a lowered shoulder. âWhereâs your nicotine euphoria? Believe me, these little fellows arenât mindless. An individual orphid is roughly as smart as a talking dog. He has a petabyte of memory and he crunches at a petaflop rate. One can converse with him quite well. Watch and listen.â He said a string of numbersâa machine-coded Web addressâand an orphid interface appeared within the webeyes of Chu and the four adults.
The orphids in the vial were presenting themselves as cute little cartoon faces, maybe a hundred of them, stylized yellow smileys with pink dots on their cheeks and gossamer wings coming out the sides of their heads.
âHello, orphids,â said Jil. Bixie looked up at her curiously. To Jil, her daughterâs face looked ineffably sweet and vulnerable behind the dancing images of nanomachines.
âHello, Jil,â sang the orphids, their voices sounding in their listenersâ earbuds.
âAfter I release you fellows, I want you to find all the cuttlefish in the San Francisco Bay,â Ond told the orphids. âRide them and send a steady stream of telemetry data to, uh, ftp-dot-exaexa-dot-org-slash-merzboat.â
âCan you show us a real cuttlefish?â the orphids asked. Their massed voices were like an insect choir, the individual voices slightly off pitch from one another.
â Those are cuttlefish,â said Ond, pointing to Craigorâs holding tank. âSettle on them, and weâll release them into the bay. Okay by you, Craigor?â
âNo way,â said Craigor. âThese Pharaohs took me four days to catch. Leave them alone, Ond.â
âTheyâre my daddyâs cuttlefish,â echoed Momotaro.
âIâll buy them from you,â said Ond, his eyes glowing. âMarket rate. The orphids will blanket your boat, too. They can map out your stuff, network it, make it interactive. Thatâs where the publicity for your sculpture comes in. Your