analysis, he was gone. She heard him fitting the padlock in place, then heading downstairs.
Here she was, then. Theyâd taken her bag: her money, tissues, lipstick, Kindle, travel pass, other stuff; her phone too, of course. Her watch. They hadnât searched her, though, which could easily have proved their undoing, if sheâd been in the habit of carrying a concealed weapon or the means of improvising one. And still she had no clue what they wanted . . . The slightest of draughts now, through the opened window. There were hills in the distance, a starless expanse blocking the heavens. A few faraway lights, which must be other dwellings; a more focused blaze of electricity which was probably a garage, servicing the nearby motorway. All plainly visible. Almost an amateur operation, except for Sean Donovanâs involvement. No one would call him amateur.
Looking down on the immediate surroundings, she could make out other structures, half-revealed by the pools of light splashing through downstairs windows. They looked like outhousesâbarns?âfurther suggesting that this was a farmhouse. Something else, too, in the darkness; a vehicle the size and shape of a London bus; one of the old Routemasters that were either out of service or about to be reintroduced, depending what the transport policy was on any given morning. Just another touch of the bizarre to throw into the mix. What was going on?
She doubted it was personal. Donovan would hardly put a crew together to kidnap a former girlfriend. Or not even girlfriend; one of his former lays. Some other reason, then . . . He knew she was no longer at the Park, because heâd said as much, on Aldersgate Street. What did he know about Slough House? Did he think it was important? He had a serious disappointment coming if so.
There was a second door on the far side of the room and Catherine tried it now, expecting to find it locked, but it opened without complaint. An en-suite bathroom: loo, sink, bath. There was no cabinet on the wall, though screw marks, and a less-discoloured rectangle of magnolia paint, indicated that there had been once: yes, well, she thought. Give a girl a mirror, she can make herself a knife. Presumably similar thoughts about the weaponising potential of shampoo, tubes of toothpaste, cans of hairspray, etc. had also occurred to her captors, because the only toiletry, a single loo roll aside, was a complimentary-sized bar of soap, still in its wrapper. Stick a hairpin in it, youâve got a one-use-only shiv, she thought, but she didnât have a hairpin, and didnât imagine it would take anyone bigger than a boy scout to take it away from her if she did.
There was another window in here, a skylight, but it too was barred over, and anyway out of reach.
She returned to the bedroom. It occurred to her that maybe she should try to get some sleep, there being few other activities available which didnât involve pacing and growing scared, but decided against it. To sleep was to become vulnerable. For the time being, she was in charge of herself, if nothing else. Sheâd sit and wait. Sooner or later, information would start to flow. Meanwhile, sheâd carry on being herself: not drunk, unbowed, and as organised as the situation allowed her to be.
â¢â¢â¢
It was perhaps half an hour before anyone came. Catherine had turned the light off, the better to familiarise herself with the view through the window, but no great insights arrived in the dark. Sean Donovan, she remembered, had been in a liaison role when she first met him; had attended a meeting with Charles Partner, her former boss and then head of the Security Service, and various other bigwigs, some from Down the Corridor, as Westminster was locally known; others from Over the River, where Intelligence was supposedly housed. Alone of those gathered, he had looked her in the eye as she handed out the morningâs dossiers. One thing had led to another.
Matt Christopher, Stephanie Peters