guy like me.â
âWhy do you add that?â
âOh, I donât know. Wasnât thinking, I guess.â He picks a blade of grass and starts to chew on it, lying back and leaning on one elbow. âI guess I used to see myself as being pretty weak.â
âWeak!â The surprise is genuine.
âThank you for thatâbut, yes, I often used to think so. Before my brother died, before I realized that Marjorie could ever view me as any kind ofâ¦well, as any kind of a replacement. And in a way thatâs why this stint in England has been so good for me. I know that sounds selfish but itâs shown me I can cope. That I can cope the same as anyone.â
âBut what on earth made you think that you were weak?â
He rolls onto his back, throws away the blade of grass. âWell, for one thing, I suppose, I find my father a bit formidable. My motherâs also got a very forceful personality. Iâm fond of them both and missed them like hell when I first got to England butââ He laughs. âThatâs another thing, of course. Homesickness is hardly a great sign of strength.â
âWhat an idiotic remarkâ¦for a highbrow.â
âIâve no idea,â he says, âwhy Iâm telling you all this. Well, actually, yes I have. From the start Iâve found you remarkably easy to talk to.â
âIâm glad.â I wish I could have met him earlier, during that period when he missed his home.
But suddenly I get a consolation prize (and almost wonder if he might be telepathic).
âYou know, Rosalind,â he says, âI really found you at the right moment. Iâd been feeling fairly low, what with Rooseveltâs death; the discoveries at Buchenwald⦠Well, of course, everybody had. Iâm not claiming any special sort of sensibility; donât get me wrong. But that Jack oâ the Clock was the first thing to make me smile in days. I had nearly told Walt to find someone else to go with him to Southwold. In fact I did but he was surprisingly insistent.â
âGood old Walt. And you did more than smile. You really laughed.â
âI know. It was a true liberation.â
I lie back, feeling happy.
âAnd then, too, see how youâve taken me out of myself today! John Winthrop, Maria Marten, Meg Taylor, Lord Byron. Though I give you my solemn word,â he says hastilyâalbeit with a touch of mischief, âI am not making light of Maria Marten!â
We decide to take a punt to Grantchester. Yes, at first he gets the pole caught but then he quickly grows proficient and his movements become a joy to watch.
âOh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloomâ¦â
Also he recites the whole of âThe Soldierââat Dartmouth he majored in Englishâand gets it word-perfect. Itâs a memorable experience: drifting along a lovely river on a fine spring evening (the sky has at last got rid of the remnants of its cloud) and listening to a moving poem well spoken against the very setting which inspired it.
We tie up the punt and for a wonderfully enchanted hour we ourselves roam Englandâs ways and love her flowers and feel we have hearts very much at peace under an English heaven. Is war still raging in the Pacific? Bloodshed, pain, bereavement? Even boredom, muddle, apathy? We poke our heads round the gateway of the Old Vicarage and try to put the clock back forty years to when the poet would have been eighteen, try to picture him running across the lawn, sitting on that wrought-iron seat, standing on the very spot where we ourselves now stand. 1905. Itâs easy to imagineâin such a place, on such an afternoonâthat we have turned into time travellers who have stumbled upon a secret door into that sunlit, safe, Edwardian world; at least, Matt cautiously amends, sunlit and safe for those who had a good income. We admire