aââ
Crack!
Enris accepted Haxelâs teasing about his feetâhadnât he teased his Yena friend Yuhas? But, though big, he wasnât clumsy by Tuana standards. Heâd stepped on something that didnât belong.
A piece of broken wood protruded from the pebbles, worth more than the handfuls of grass heâd been dutifully collecting for tonightâs camp. He bent to retrieve it, delighted when it took all his strength to wiggle it free. âGood sizeâ¦â the words turned into a whistle of surprise.
Not a stick.
His hand fit perfectly around what had been a carved and finished staff, almost half his height. The wood was dark red and unfamiliar, its polish scratched and dulled by exposure and the rocks of its bed. Enris put it aside and dug for the rest of it.
Not a staff.
The remaining piece was a blade, long as his forearm and fitted to its bit of shaft so securely the wood had snapped under his foot, not that junction to metal. Enris grinned with triumph as he examined his treasure. âArenât you the beauty?â The Oudâs metal, right enough, but reworked by someone with skill and patience into a most unusual shape. The wide, thin blade, once razor sharp along both outer edges, ended in a forked tip. One portion of the tip was longer than its mate; not a break but made that way. Impractical for harvesting any crop he knew. Dangerous, that was certain.
Under the dirt, he discerned a line of ornamentation along the flat of the blade. A spit and hard rub revealed nothing so simple. A series of small, intricate symbols marched in a tidy row, some close together, some apart. Unique in design; not beautiful. He knew to a twinge in his shoulders the time and meticulous effort it took to inscribe metal. Why bother, if the result didnât enhance the finished work?
Pride, perhaps. Hadnât his father taught him to identify what heâd done? Not the everyday work, but those special pieces made after the routine blades and tools were finished, the adornments and art meant for Omâray pleasure, not Oudâtheir creator should be known. Enris had chosen his favorite stars, hammering that tiny pattern discreetly into whatever was, to him, his best.
Nothing discreet about these symbols. He ran his thumb over them, achingly curious. Were they a metalworkerâs personal mark? Heâd show Aryl. Sheâd seen the symbols the Tikitik used to represent words and those of the strangers. If they werenât the sameâ¦he felt a rush of hope. Could these represent words?
There were Omâray who drew lists of names, crop yields, and such: Adepts, responsible for maintaining the Cloistersâ records. The skill to write and read was provided only to those who accepted that role for life, to be used exclusively within the Cloisters, for the concerns of the Clan as a whole.
Ordinary Omâray had no need. Surely a metalworker, even if an Adept, wouldnât abuse the knowledge simply to name his or her work.
More than pride. A message?
Enris shrugged off his pack and swung it to the ground. He went to one knee and untied his coat from the top. With a struggleâthe pack already bulged in all directionsâhe managed to store the blade and its end of broken wood safely inside. The longer piece? He hefted it and grinned. No more wet boots.
As he reached for his coat, he spotted a pale speck among the disturbed pebbles by his foot. He brushed at it, hoping for more metal or wood, but it was only bone.
The bone itself didnât trouble him. Tuana carried their dead to the end of the worldânamely as far from their village, and any other Clan, as was comfortable to goâacross the wide nost fields to where the flat land of the Oud gave way to low, rolling hills. Though heâd heard some Clans practiced burial, Tuanaâs empty remains were sensibly left accessible to scavengers, present in abundance when the noisy clouds of delits