donât know shit.â
âWe know all we need to know,â Philip says, giving his brother a look. âWe know thereâs more of them fucking things every day, and all they seem to want to do is have us for lunch. Which is why weâre gonna hang here for a while, let things play out a little.â
Brian breathes out a painful, weary sigh. The others are silent.
In the lull, they can hear the faint noises that theyâve been hearing all night, coming from the darkness outside: the muffled, intermittent thudding of insensate figures bumping up against the makeshift barricade.
Despite Philipâs efforts to erect the rampart quickly and quietly, the commotion of the dayâs construction project has drawn more of the walking corpses.
âHow long do you think weâre gonna be able to stay here?â Brian asks softly.
Philip sits down, lays the nail gun on the table and takes another sip of his bourbon. He nods toward the family room, where the whimsical voices of childrenâs programming drift incongruously. âShe needs a break,â Philip says. âSheâs exhausted.â
âShe loves that play set out back,â Brian says with a weak smile.
Philip nods. âShe can live a normal life here for a while.â
Everybody looks at him. Everybody silently chews on the concept.
âHereâs to all the rich motherfuckers of the world,â Philip says, raising his glass.
The others toast without really knowing just exactly what theyâre toasting ⦠or how long it will last.
Â
FOUR
The next day, in the clean autumn sun, Penny plays in the backyard under the watchful gaze of Brian. She plays throughout the morning while the others take inventory and sort through their supplies. In the afternoon, Philip and Nick secure the window wells in the basement with extra planking, and try unsuccessfully to rig the nail gun to DC power, while Bobby, Brian, and Penny play cards in the family room.
The proximity of the undead is a constant factor, swimming sharklike under the surface of every decision, every activity. But for the moment, thereâs just an occasional stray, an errant wanderer bumping up against the privacy fence, then shambling away. For the most part, the activity behind the seven-foot cedar bulwark on Green Briar Lane has, so far, gone unnoticed by the swarm.
That night, after dinner, with the shades drawn, they all watch a Jim Carrey movie in the family room, and they almost feel normal again. Theyâre all starting to get used to this place. The occasional muffled thump out in the darkness barely registers now. Brian has practically forgotten the missing twelve-year-old, and after Penny goes to bed, the men make long-term plans.
They discuss the implications of staying in the Colonial as long as supplies hold out. Theyâve got enough provisions for weeks. Nick wonders if they should send out a scout, maybe gauge the situation on the roads into Atlanta, but Philip is adamant about staying put. âLet whoeverâs out there duke it out among themselves,â Philip advises.
Nick is still keeping tabs on the radio, TV, and Internet ⦠and like the failing bodily functions of a terminal patient, the media seem to be sparking out one organ at a time. By this point, most radio stations are playing either recorded programming or useless emergency information. TV networksâthe ones on basic cable that are still up and runningâare now resorting to either twenty-four-hour automated civil defense announcements or inexplicable, incongruous reruns of banal late-night infomercials.
By the third day, Nick realizes that most of the radio dial is static, most of basic cable is snow, and the Wi-Fi in the house is gone. No dial-up connections are working, and the regular phone calls Nick has been making to emergency numbersâwhich, up to this point, have all played back recordingsâare now sending back the classic