broken nose. He went from his house to find his shop wrecked, returned from his shop and saw the smoke of his burnt house. “So I went to Hathis. But things no better there I found. The Gentlemen do as they like in every place. Except here. Here, we do as we like. But we don’t like it here, much. And sooner or later…”
His mouth twitched. Then he said, in a smothered voice, “You’ll see. Go on, now.”
In some ways it was as if a highly eccentric Gentleman had moved his estate, herds, followers chick-boys and all, into the black basalt ruin of the inhuman and forest-laired Kar-chee castle—and then mixed it all up, humble-tumble. Here a woman hung a cloth bag full of soft cheese to drip, there a fletcher picked through a pile of feather in his aproned lap. A young boy practiced scales on an old horn. A woman on a stool stitched colored cloths into banner wefts, from time to time giving her rather dirty baby’s cradle a rock with her bare (and dirtier) foot.
But nowhere, anywhere, was there a hall windowed with oiled and painted paper, bright with flowers and gay with birdsong and the sound of water, where a dark woman in embroidered robes sat making crystal music.
A vision of the shattered face of the boy with chestnut hair rose before Jon-Joras’s inner eyes. What connection there might be between that bloody death and this curious wild encampment, he did not know; only that he felt a stirring conviction within him that such a connection there was. And then, through the contented confusion of the courtyard, a man with a scarred face picked his way.
He did not see, or seem to see, the prisoner at large—or for that matter, anyone else—but everyone saw him and marked his passage. The man was tall, with little deep-set eyes under black brows like nests of snakes. The bones of his face seemed about to burst through the reddened skin, the mouth was an all but lipless slash between the grim nose and the almost impossibly long and heavy chin. The scar went from scalp to neck, interrupted only by the stump of one ear. His feet tramped the black slabs as if all his enemies lay upon them.
Almost automatically, Jon-Joras stopped still and drew in upon himself until the man passed; entirely automatically, he fell in behind—well behind—him. Only as he followed after the unnaturally stiff figure, hands clenched at sides, did the formed thought reveal itself to his upper mind: where this man was, the answer was.
And so, passing through the wake of whatever emotion lies between fear and awe, Jon-Joras followed on as if drawn by rope and held by magnet.
Perhaps it was only a dream dragon that he had heard in his sleep that night. But the one he heard now was no dream—unless this whole scene, Kar-chee castle and court and all, unless it was a dream, too. His ear-drums vibrated with the hiss that became a scream. But— perhaps it was a dream!—no one else so much as looked up. And still the man walked on and on.
He stopped only at a low wall and there he leaned over. Jon-Joras walked on a bit, then put his hands on the parapet and peered. The thick, dark odor of dragon caught him sharply between nose and throat, but he didn’t turn away. Below him in an area partly ringed with seats, a dragon came rushing down the ground. His hide was thick with arrows and the stumps of arrows, and a smell Jon-Joras knew from other places, other times, came from the beast—the fishy stench of old, of rotten blood.
At first glance the scene below appeared to be a normal dragon hunt. Almost at once, though, Jon-Joras saw the differences. It was like seeing double. There, for instance, was the row of archers. But behind them was another row. The arms and hands and bows of the archers moved. The row behind them, clad in the same leaf-green, moved not. And in front of the row of archers was a trench.
The dragon came beating down the ground. Another flight of arrows bored into his hide. He neither plucked at them nor slackened