down, tried to stop the bleeding, and got her help. I wasnât sure what had happened until he explained it to me, that some people have real problems and want to leave this world. This poor woman. There was so much to live for.
This is my chance to save a life. I can make him better. Itâs my mission. All my energy goes into curing him.
 â¢Â â¢Â â¢Â
âI canât get drunk enough,â Craig tells me soon into my plan to save him. Weâre in the middle of our usual night, only this time heâs on the verge of tears, empty cans from a case littering his floor. How could he be miserable with a nice girl willing to do anything for him? This doesnât fit into my romantic plan at all.
Still, I follow him around for a few more days. I see girls, older girls, more experienced girls, eye him knowingly. The gorgeous Hispanic girl. The blonde who could pass for Marilyn. The lovely, dirty-blond-haired brainiac who prepares her food so carefully that I wonder if she has an addiction of her own. The short brunette with the peaches-and-cream skin.
Turns out, heâs had them all.
Sad, dirty mattress sex and booze. Puking off porches. No window in his apartment. Endless talk about governments. Overthrows. Coups dâétat. Russia. Our romance reads like a tragic film about a rock star who dies at the microphone, choking on his vomit. Itâs still romantic. As a heroine, I must learn how to tame a bad boy.
My one escape from this dreary routine is the basement of the Oberlin library. I gather my Ovid, my textbook for economics (a course Iâm flunking) and notes, my cigarettes, and an assortment of pensâand my diary. My other studious smoker friends work down there, and we sit in a large room, smoke, and stare at one another during breaks. I am productive during these moments and sometimes confer with my study buddiesâmostly older men in Craigâs classâout in the hall. They warn me that Iâm demeaning myself, wasting time with a guy on a downward spiral. I take their comments to heart until Craig enters the room and I turn bad again for him.
Craig and I cut classes together, lie out on the grass of the quad, smoke endless packs of Marlboros, and talk about nothing. We notice the weather, the changing skies, and, at one point, he sees a burst of sun coming through a patch of storm clouds.
âYou see that?â he says to me.
âYeah.â I note the gorgeous juxtaposition of storm and sun.
âThatâs pretty awesome,â he says.
âIâm calling it Craig from now on.â
He loves this. This is so The Thorn Birds . Iâve forgotten which characters we are at this point. But it doesnât matterâIâve learned that love equals emotional torture. We may not wind up together since our destinies donât match: He wants to leave this world, I want to . . . well, Iâm not sure yet. For now, though, Iâm willingly stuck (obsessed) with him: how striking he is physically, that rocker edge to how he carries himself, his intellect, and that fine line between tenderness and volatility. We have long days that turn into even longer nights. I get tired of our routine, though I canât shake it. All I want is to be in his presence, keep idling with him in the grass, be wrapped in his vile comforter. But I know it will end. So much of his darkness rubs off on me. I slink from place to place, chain-smoking Marlboros, feeling low. It has to end, but I canât act on this.
Craig is especially sad one night, keeps looking at me as if Iâm the most wonderful person on Earth. What should I expect? He doesnât seem to notice me much, unless I provoke him. But suddenly, he pulls me in close, looks deeply into my eyes.
âI love you, Schuntzie. But youâre like . . . my sister.â
Is there any greater aphrodisiac than this? Soon after this, he dumps me for Peaches and Cream.
Iâm