his body as if it were blood spreading to the extremities thereby announcing its unquenchable power. In that briefest of moments the rosy glow of health vanishes, the muscles tighten and once more the body begins to reflect light rather than absorb it, glittering and silvery, and the finely arched nose, the delicately chiseled cheekbones and the microscopically thin wrinkles are replaced by a new nose, new bones, new wrinkles that wipe away all memory of what had preceded them to preserve in a single mass everything which, years from now, will find itself interred six feet under. Irimiás closes the door behind him and begins to walk faster, crossing the busy hall to catch up with Petrina who is already out in the corridor not even looking back to see whether his companion has followed him because he feels that if he did turn to see he might be called back in again. The light percolates through heavy clouds, the town breathes through their scarves, an unfriendly wind swirls down the street, houses, sidewalk and freeway soaking helplessly under the downpour. Old women are sitting at their windows gazing at the dusk through net curtains, their hearts contracting at the sight of faces fleeing beneath the eaves outside, their faces full of such wrongs and sorrows that not even the steaming cookies baked in hot ceramic stoves can banish them. Irimiás strides furiously through the town, Petrina following him on little feet, complaining, indignant, getting left behind, occasionally stopping for a minute to recover his breath, his coat billowing in the wind. “Where now?” he asks miserably. But Irimiás does not hear him, moves ahead, muttering imprecations: “He’ll regret this . . . he’ll regret this, the bastard . . .” Petrina walks faster. “Let’s just forget the whole shitty business!” he suggests, but his companion is not listening. Petrina raises his voice. “Let’s head up river and see if we can get some action there . . .” Irimiás neither sees nor hears him. “I’ll wring his neck . . .” he tells his partner and demonstrates how. But Petrina is just as stubborn. “There’s so much we could do once there . . . There’s the fishing for example, you know what I mean. . . . or, listen: say there some lazy wealthy guy who, let us say, wants something built . . .” Having stopped in front of a bar, Petrina puts his hand in his pocket and counts their money and then they go through the glazed door. Inside there are only a few people hanging about, a transistor radio in the lap of the old woman minding the toilets is ringing out noon bells; the sticky wiping up cloth, the tables with damp pools ready to witness a thousand little resurrections are mostly unoccupied for now, tipping this way and that; four or five men with cavernous faces, their elbows propped on tables some way from each other, are wearing disillusioned expressions or slyly eyeing the waitress, or staring into their glasses or studying letters, absent-mindedly sipping at coffees, or cheap spirits or wine. A damp and bitter stench blends with cigarette smoke, sour breath rising to the blackened ceiling; beside the door, next to a smashed oil heater, a bedraggled rain-soaked dog trembles and stares panic-stricken outside. “Shift those lazy asses of yours!” shrieks a cleaning woman as she proceeds past the tables with a scrunched-up rag. Behind the counter, a girl with flaming red hair and a baby face is propping up a shelf laden with stale desserts and a few bottles of expensive champagne while painting her fingernails. On the drinkers’ side of the counter leans a stocky waitress, cigarette in one hand and a dime novel in the other, licking her lips in excitement every time she turns the page. On the walls a ring of dusty lamps serves for atmosphere. “A single, blended,” says Petrina and leans on the counter next to his companion. The waitress doesn’t even look up from her book. “And a Silver Kossuth,” adds Irimiás. The girl