was?â
âNo. Too far away, too dark.â
âJust that Chas is due in from New York this morning.â
He is New Blue Riderâs sax player, a gleaming giant of a lad from St Kitts, in New York for a weekâs master class, nominally supervised by Branford Marsalis. These kids have the instincts, the sense of entitlement proper to an elite. Ry Cooder heard Theo play slide guitar in Oakland. Taped to a mirror in Theoâs bedroom is a beer coaster with a friendly salute from the maestro. If you put your face up close you can make out in loopy blue biro, under a beer stain, a signature and, Keep it going Kid!
âI wouldnât worry. The red-eyes donât start coming in until half five.â
âYeah, I suppose.â He swigs on the water bottle. âYou think itâs jihadistsâ¦?â
Perowne is feeling dizzy, pleasantly so. Everything he looks at, including his sonâs face, is receding from him without growing smaller. He hasnât heard Theo use this word before. Is it the right word? It sounds harmless, even quaint, rendered in his light tenor. This deepening of the boyish treble is an advance Henry still canât entirely take for granted, even though itâs five years old. On Theoâs lips â he takes the trouble to do something fancy with the âjâ â the Arabic word sounds as innocuous as some stringed Moroccan instrument the band might take up and electrify. In the ideal Islamic state, under strict Shariâa law, thereâll be room for surgeons. Blues guitarists will be found other employment. But perhaps no one is demanding such a state. Nothing is demanded. Only hatred is registered, the purity of nihilism. As aLondoner, you could grow nostalgic for the IRA. Even as your legs left your body, you might care to remember the cause was a united Ireland. Now thatâs coming anyway, according to the Reverend Ian Paisley, through the power of the perambulator. Another crisis fading into the scrapbooks, after a mere thirty years. But thatâs not quite right. Radical Islamists arenât really nihilists â they want the perfect society on earth, which is Islam. They belong in a doomed tradition about which Perowne takes the conventional view â the pursuit of utopia ends up licensing every form of excess, all ruthless means of its realisation. If everyone is sure to end up happy for ever, what crime can it be to slaughter a million or two now?
âI donât know what I think,â Henry says. âItâs too late to think. Letâs wait for the news.â
Theo looks relieved. In his obliging way, heâs prepared to debate the issues with his father, if thatâs what is required. But at four twenty in the morning heâs happier saying little. So they wait in unstrained silence for several minutes. In the past months they have sat across this table and touched on all the issues. Theyâve never talked so much before. Whereâs the adolescent rage, the door-slamming, the muted fury thatâs supposed to be Theoâs rite of passage? Is all that feeling sunk in the blues? They discussed Iraq of course, America and power, European distrust, Islam â its suffering and self-pity, Israel and Palestine, dictators, democracy â and then the boysâ stuff: weapons of mass destruction, nuclear fuel rods, satellite photography, lasers, nanotechnology. At the kitchen table, this is the early-twenty-first-century menu, the specials of the day. On a recent Sunday evening Theo came up with an aphorism: the bigger you think, the crappier it looks. Asked to explain he said, âWhen we go on about the big things, the political situation, global warming, world poverty, it all looks really terrible, with nothing getting better, nothing to look forward to. But when I think small, closer in â you know, a girl Iâve just met, or this song weâre going to do with Chas,or snowboarding next month,
Liz Wiseman, Greg McKeown