this
brave trophallaxis of a kiss
that short-circuits generations scent
mortality’s rich nutriment.
The waiting room’s an airless place
littered with comics:
Spectre
;
Space
;
Adventure
; love and hate
in AD 3068:
interplanetary affairs
policed by
Superlegionaires
:
STONE BOY of the planet Zwen
who turns to stone and back again,
and BRAINIAC , space-genius,
who finds Earth’s labs ridiculous,
and MATTER-EATER-LAD resist
the mad, moon-exiled scientist –
Dr MANTIS MORLO ! Will he smash
our heroes into lunar ash?
Air! Air! There’s not enough
air in this small world. I’ll suf-
focate. Air! Air! – In each black
PVC disposal sack,
I see two of my dimensions gone
into a flat oblivion.
Weightless, like a stranger caught
loosely flapping on my mother’s grate,
down corridors, a shadow man,
I almost sleepwalk, float past
An-
aesthesia
,
X-Ray, Speech
Therapy
and, come full circle, reach
again the apparatus where you lie
between the armless and the eyeless boy.
I sicken. Jane! I could cut off
your breathing with a last wet cough,
break the connections, save you from
almost a lifetime’s crippledom,
legs splayed outwards, the crushed bones
like the godfish Olokun’s.
The black spot crossing; on both sides
a blank male silhouette still strides
off the caution and just keeps
on striding, while Newcastle sleeps,
between the Deaf School and the Park,
into his element, the dark.
The Scottish drivers have begun
the last stretch of the homeward run;
another hundred and they’ll pull
into the brightening capital,
each lashed, tarpaulined hulk
groaning borderwards:
Blue Circle Bulk
Cement; Bulk Earthmoving; Bulk Grain;
Edinburgh and back again.
And up the Great North Road in twos
great tankers of Newcastle booze,
returning empty, leaving full,
swashing with comfort for John Bull
and John Bull’s bouncing babes who slug
their English anguish at the bottle’s dug.
O caravanserais! I too could drown
this newest sorrow in
Newcastle Brown
.
I thrash round desperately. I flail
my arms at sharks in seas of ale.
Organs. Head/-lights/-lines. Black. White.
The on/off sirening blue light;
heart/lungs like a grappled squid;
BLIND PARAPLEGIC’S CHANNEL BID .
Blood; piss; oceans; taste of salt.
Halt! Halt! Halt! Halt!
I surface and the Tynemouth Queen,
that death’s door study streaked with green,
is sitting dwarfish, slumped, alone
on her seawind-eroded throne,
scowling at a glimpse of sea
and wrecked, Dane-harried priory.
Above the grounded RVI
a few wind-driven seagulls cry
like grizzling kids. Out there; out there
where everything is sea and air,
at Tynemouth and at Seaton Sluice,
the sea works bits of England loose,
and redeposits on the land
the concrete tanktraps as blown sand.
Blood transfusion, saline drip,
‘this fiddle’ and ‘stiff upper lip’
have seen us so far.
You’ll live,
like your father, a contemplative.
Daylight, but a pale
Blue Star
still just glimmers on the nearest bar.
An orderly brings tea and toast.
Mother, wife and daughter, ghost –
I’ve laid, laid, laid, laid
you, but I’m still afraid,
though now Newcastle’s washed with light,
about the next descent of night.
Sentences
1. Brazil
Even the lone man
in his wattle lean-to,
the half-mad women
in their hive of leaves,
pitched at the roadside
by a low shared fire
so near the shoulder
that their tethered goat
crops only half-circles
of tough, scorched turf,
and occasional tremors
shake ash from the charcoal,
live for something more
than the manioc and curds
they’re preparing,
barely attentive to speech
as they strain
through the oppressive mid-day drowse,
or, at night, through the noise
of the insects drilling into them
the lessons of loneliness
or failed pioneering
over miles of savannah,
for the punctual Bahia-Rio
coaches as they come
to the village of Milagres
they are outcasts from
for a quick
cafezinho
,
a quick piss,
edible
Steve Miller, Sharon Lee and Steve Miller
Robert Jordan, Brandon Sanderson