put our snowsuits and boots into the tiny, cramped closet in the kitchen, when there were plenty of empty hooks and open spaces in the main entry, where Christina’s and Ms. Mina’s coats were hanging. Mama tucked away her coat, too, and her lucky scarf—the soft one that smelled like her, and that Rachel and I fought to wear around our house because it felt like petting a guinea pig or a bunny under your fingers. I waited for Mama to move through the dark rooms like Tinker Bell, alighting on a switch or a handle or a knob so that the sleeping beast of a house was gradually brought to life.
“You two be quiet,” Mama told us, “and I’ll make you some of Ms. Mina’s hot chocolate.”
It was imported from Paris, and it tasted like heaven. So as Mama tied on her white apron, I took a piece of paper from a kitchen drawer and a packet of crayons I’d brought from home and silently started to sketch. I made a house as big as this one. I put a family inside: me, Mama, Rachel. I tried to draw snow, but I couldn’t. The flakes I’d made with the white crayon were invisible on the paper. The only way to see them was to tilt the paper sideways toward the chandelier light, so I could make out the shimmer where the crayon had been.
“Can we play with Christina?” Rachel asked. Christina was six, falling neatly between the ages of Rachel and me. Christina had the biggest bedroom I had ever seen and more toys than anyone I knew. When she was home and we came to work with our mother, we played school with her and her teddy bears, drank water out of real miniature china teacups, and braided the corn-silk hair of her dolls. Unless she had a friend over, in which case we stayed in the kitchen and colored.
But before Mama could answer, there was a scream so piercing and so ragged that it stabbed me in the chest. I knew it did the same to Mama, because she nearly dropped the pot of water she was carrying to the sink. “Stay here,” she said, her voice already trailing behind her as she ran upstairs.
Rachel was the first one out of her chair; she wasn’t one to follow instructions. I was drawn in her wake, a balloon tied to her wrist. My hand skimmed over the banister of the curved staircase, not touching.
Ms. Mina’s bedroom door was wide open, and she was twisting on the bed in a sinkhole of satin sheets. The round of her belly rose like a moon; the shining whites of her eyes made me think of merry-go-round horses, frozen in flight. “It’s too early, Lou,” she gasped.
“Tell that to this baby,” Mama replied. She was holding the telephone receiver. Ms. Mina held her other hand in a death grip. “You stop pushing, now,” she said. “The ambulance’ll be here any minute.”
I wondered how fast an ambulance could get here in all that snow.
“Mommy?”
It wasn’t until I heard Christina’s voice that I realized the noise had woken her up. She stood between Rachel and me. “You three, go to Miss Christina’s room,” Mama ordered, with steel in her voice.
“Now.”
But we remained rooted to the spot as Mama quickly forgot about us, lost in a world made of Ms. Mina’s pain and fear, trying to be the map that she could follow out of it. I watched the cords stand out on Ms. Mina’s neck as she groaned; I saw Mama kneel on the bed between her legs and push her gown over her knees. I watched the pink lips between Ms. Mina’s legs purse and swell and part. There was the round knob of a head, a knot of shoulder, a gush of blood and fluid, and suddenly, a baby was cradled in Mama’s palms.
“Look at you,” she said, with love written over her face. “Weren’t you in a hurry to get into this world?”
Two things happened at once: the doorbell rang, and Christina started to cry. “Oh, honey,” Ms. Mina crooned, not scary anymore but still sweaty and red-faced. She held out her hand, but Christina was too terrified by what she had seen, and instead she burrowed closer to me. Rachel, ever practical, went