historical novel. Mindy Krauss and Lori Ryan were housewives and bridge partners who were trying their hand at a mystery, and Brad Dorrigan was a computer programmer who had majored in English Lit and spoke earnestly about the coming-of-age story he had been working on for several years.
âOkay, great,â Maxfield said. âWell, we certainly have a diverse group. Thatâs good. It means that weâre going to get different opinions when we critique each otherâs work. And that is one of the things we are going to do here.
âNow let me talk about criticism for a moment. Each week Iâm goingto read something that someone in the group has submitted and each of you is going to be painfully honest with your opinions. That doesnât mean that you are going to be mean or spiteful. The only type of criticism I expect here is constructive criticism. Itâs perfectly all right to dislike something, but I want you to tell the writer why you donât like what he or she has written and I want you to suggest how the work can be changed for the better. So think before you speak.
âMy job will be to moderate these proceedings but Iâm also going to give you tips that I hope will improve your writing. When we start each class Iâll spend some time talking about character development, outlining, and other aspects of the writerâs craft. Now, I donât like talking to hear myself speak. I assume youâre here because you are motivated to improve your craft. So, ask questions. Remember, in this group there is no such thing as a stupid question.
âAnd with that introduction, unless there are questions, Iâm going to start our first session with a brief discussion of the method I use to develop story ideas.â
Â
They took a break after the first hour, and Terri talked to the other members of Maxfieldâs class. Except for Brad Dorrigan, who took himself a little too seriously, the other aspiring writers were a pleasant group.
âOkay, back to the grind,â Joshua Maxfield said when fifteen minutes had passed. Terri carried a cup of coffee to her place. While everyone got settled, she checked the notes sheâd taken about developing story ideas.
âI said that weâre going to spend a portion of each meeting critiquing each otherâs writing,â Maxfield said. âTonight, Iâm going to read a chapter from a work in progress and everyone will comment.â
Terri was nervous that her manuscript would be the subject of the first critique. The other students looked just as worried. Maxfield squared up a short stack of paper that lay in front of him. He picked up the first sheet.
âI am a God. Not The God. I am from one of the lesser pantheons but a God nonetheless. I donât make a practice of announcing thefact, and those that discover my powers never tell. On a balmy spring evening in mid-May I introduced myself to the Reardons of Sheldon, Massachusetts.
âI chose the Reardons because they were so ordinary, the type of people who occupy space while alive and are not missed when they die. Our experience together would be, by far, the most amazing event in their boring lives.
âBob, a short, overweight man who was losing his hair, was an accountant. Margaret sold makeup at a department store on Main Street. I imagine that she had once been attractive. She still worked hard to keep her figure, but her skin was beginning to wrinkle and her legs were marred by cellulite. Their only daughter, Desiree, was seventeen, a junior in high school. She was of normal intelligence, and her looks were average, but she was physically advanced. Iâd caught sight of her when she visited her mother at work. Her tight shorts showed off her taut buttocks and long firm legs. Her T-shirt was cut to display her flat, tanned tummy and sensual navel. Oh how I desired to lick it.
âWith my appetite whetted by my first sight of Desiree, I laid