across the bed, propping her back against the head board. âLie down here and letâs decide on something.â
âSure,â agreed Gilligan. âI better take off my shoes, first. Ruin the hotelâs bed.â
âTo hell with the hotelâs bed,â she told him. âPut your feet on it.â
Gilligan lay down, shielding his eyes with his hand. After a time she said:
âWell, whatâs to be done?â
âWe got to get him home first,â Gilligan said. âIâll wire his folks to-marrowâhis old man is a preacher, see. But itâs that damn girl bothers me. He sure ought to be let die in peace. But what else to do I donât know. I know about some things,â he explained, âbut after all women can guess and be nearer right than whatever I could decide on.â
âI donât think anyone could do much more than you. Iâd put my money on you every time.â
He moved, shading his eyes again. âI dunno: I am good so far, but then you got to have moreân just sense. Say, why donât you come with the general and me?â
âI intend to, Joe.â Her voice came from beyond his shielding hand. âI think I intended to all the time.â
(She is in love with him.) But he only said:
âGood for you. But I knowed youâd do the right thing. All right with your people is it?â
âYes. But what about money?â
âMoney?â
âWell . . . for what he might need. You know. He might get sick anywhere.â
âLord, I cleaned up in a poker game and I ainât had time to spend it. Moneyâs all right. That ainât any question,â he said roughly.
âYes, moneyâs all right. You know I have my husbandâs insurance. â
He lay silent, shielding his eyes. His khaki legs marring the bed ended in clumsy shoes. She nursed her knees, huddling in her blanket. After a space she said:
âSleep, Joe?â
âItâs a funny world, ainât it?â he asked irrelevantly, not moving.
âFunny?â
âSure. Soldier dies and leaves you money, and you spend the money helping another soldier die comfortable. Ainât that funny?â
âI suppose so. . . . Everything is funny. Horribly funny.â
âAnyway, itâs nice to have it all fixed,â he said after a while. âHeâll be glad you are coming along.â
(Dear dead Dick .) (Mahon under his scar, sleeping.) (Dick, my dearest one.)
She felt the head board against her head, through her hair, felt the bones of her long shanks against her arms clasping them, nursing them, saw the smug, impersonal room like an appointed tomb (in which how many, many discontents, desires, passions, had died?) high above a world of joy and sorrow and lust for living, high above impervious trees occupied solely with maternity and spring. (Dick, Dick. Dead, ugly Dick. Once you were alive and young and passionate and ugly, after a time you were dead, dear Dick: that flesh, that body, which I loved and did not love; your beautiful, young, ugly body, dear Dick, become now a seething of worms, like new milk. Dear Dick.)
Gilligan, Joseph, late a private, a democrat by enlistment and numbered like a convict, slept beside her, his boots (given him gratis by democrats of a higher rating among democrats) innocent and awkward upon a white spread of rented cloth, immaculate and impersonal.
She evaded her blanket and reaching her arm swept the room with darkness. She slipped beneath the covers, settling her cheek on her palm. Gilligan undisturbed snored, filling the room with a homely, comforting sound.
(Dick, dear, ugly dead. . . .)
IV
In the next room Cadet Lowe waked from a chaotic dream, opening his eyes and staring with detachment, impersonal as God, at tights burning about him. After a time, he recalled his body, remembering where he was and by an effort he turned his head. In the other bed the man slept beneath
Johann Wolfgang von Goethe