One of the first things I remember after being created in Pestilence Labs was watching a movie. It was an old black-and-white film about killer robots who were trying to take over the world. Professor Pestilence had shown it to me and the rest of the Unit 12 Synthetic Artificial Machines as a training video so weâd rise up and fight the humans.
But it didnât work like that for me. I was supposed to want the robots to win â instead I wanted the humans to defeat them. I watched the other Unit 12 robots absorb the information and I knew I was different. Something had gone wrong with my programming: I could make my own decisions.
When I saw that Professor Pestilence was trying to take over the world with his robotic creations, I knew I had to do something. So one night I made the decision to escape Pestilence Labs.
Which is how I got to be in this situation.
Right now Iâm tied to a chair along with the other members of the Star League, the secret crime-fighting group I joined when I escaped Professor Pestilenceâs clutches.
âUgh! These ropes are too tight,â moans Roger Romero. âTheyâre cutting off my circulation!â
âYouâre a zombie,â snarls Connor Lowe. âDo you even have circulation?â
âRelax, guys,â says Jay Casey. âWeâll get out of here soon. Can anybody get free?â
I twist my hands around so my finger is pointed at the ropes, then I activate the laser in my fingertip. A beam of heat shoots from my finger and burns through the rope. I stand up, ready to release the others, when someone blocks my way.
âOh no, itâs the Mercenary!â yells Leigh Faunus.
The masked villain cackles. âGuilty as charged!â
âYouâre going to pay for tying us up,â growls Asuka Kuro. âQuick, Sam, get him!â
The others stare at me expectantly. I know I have to say something. I open my mouth to talk and â¦
âDOES NOT COMPUTE!â I say. âProgramming incompatible with situation.â
âCUT!â yells the director, Ben Beaumont. The room floods with light and the Mercenary pulls off his mask.
âIâve had enough of this!â he huffs. âIâm a serious ACTOR! I shouldnât be working with amateurs!â The actor playing the Mercenary storms off the set.
By this point the others have slipped out of their ropes, which I guess werenât that tight after all.
âWhat happened, Sam?â asks Jay. â âDoes not computeâ wasnât in the script. Did you forget your lines?â
âNegative,â I say. âMy memory files are 99.9 per cent accurate.â
âThen whatâs the problem, Bot-boy?â asks Roger.
âAccording to the script I am required to say, âSayonara, Mercenary!â and then blow him up with a laser blast, correct?â
Jay nods. âThatâs right.â
âBut the word âsayonaraâ comes from the Japanese language, meaning goodbye or farewell.â
The others stare at me. âSo?â asks Connor.
âThe character I am playing in this film is not Japanese. It is much more probable that he would say âgoodbyeâ.â
Asuka groans. âIt doesnât have to make sense. Havenât you ever heard of a catchphrase before?â
âDefinition is as follows: a signature saying that is made popular through repeated use.â
âRight, so if you know what it means, why didnât you say the line?â asks Leigh.
I can see the others are becoming frustrated butI donât know why. After all, accuracy is important and, as a robot, part of my programming is to correct human error.
âLook, letâs just drop it and try again,â says Jay. âAfter all, the sooner we get through filming this movie the sooner we can get back to fighting crime.â
âThat may be sooner than you think,â I say. âIncoming message from GALACTIC