She thought about Dr. Wilbur and about how puzzling--incomprehensible--it was that she should have left town without a parting caution, without so much as a swift backward glance in her direction. Had she offended the doctor? Had the doctor thought that she had not really been ill and thus had deliberately called a halt to the treatment? Certainly these were possibilities.
What now? A letter from Chicago, stating that the analyst was booked for two years and wasn't accepting new patients, had ruled out analysis. The loss of Dr. Wilbur had ruled out Clarkson and the continuation of treatment. Then, in the stillness of her room, Sybil faced the fact that somehow she would have to manage to carry on alone. She even persuaded herself that, with Dr. Wilbur's departure and the cancellation of her Chicago plans, she would be freer to do as she wished. And what she wished most of all was to return to college.
Was she well enough? She wasn't certain, but she realized that the treatment by Dr. Wilbur might serve as the means of readmission. After all, she had seen a psychiatrist.
She wrote to Miss Updyke about her desire to return, and Miss Updyke promised to use her influence to make the return possible. In the meantime Sybil continued teaching at the junior high school and painting. Her painting City Streets and a pencil piece were exhibited at an Omaha art gallery. But the nameless thing still pursued her. When a day came that she felt free of it, she recorded that day in her diary with the euphemism: "All went well today." In January, 1947, Sybil returned to the campus.
During the first week Miss Updyke was curious to know how things really were, and when Sybil told her that she was able to sit through classes without the inner disturbances that in the past had made it necessary for her to leave, Miss Updyke seemed very pleased. "She could see," Sybil wrote in her diary of January 7, 1947, "I'm well more nearly." On January 8, 1947, Sybil, referring to the nameless thing, recorded in the diary: "Am so proud --most thankful I could talk with Miss Updyke as I did yesterday and stay on a level. No inclinations ever. The one thing I desired for so long. God has heard my pleas surely."
The nameless thing, the "inclinations" that kept her from staying on a level, however, had not been put to rest. Her diary, virtually infallible as a clue to the presence or absence of the "inclinations" because when Sybil was in command of the situation, she never failed to make an entry, shows clearly that there were unrecorded days even in this period, when she thought herself "well more nearly." In fact, for January 9, the day after the splurge of optimism, there was no entry. Good days were often followed by bad days.
There were enough good days for Sybil to complete almost three years of college and to move triumphantly into the second semester of her senior year. But then in 1948, shortly before the end of her last semester, Sybil received a telephone call from her father summoning her to Kansas City, where her parents were then living.
Her mother was dying of cancer of the spleen, and she insisted upon having no other nurse than Sybil. "If this is what your mother wants," Willard Dorsett told his daughter, "this is what she will have."
Sybil did not know what to expect when she arrived in Kansas City. Old fears reasserted themselves. But Hattie Dorsett had never been as calm and as rational as she was in Kansas City. Paradoxically, in this period of crisis mother and daughter got along better than they ever had before.
The very calm became an ironic background for the events of what started out as an ordinary evening. Hattie Dorsett, relatively free from pain, was sitting in the big red easy chair in the living room of the Dorsett's home. She was reading Ladies Home Journal by the light of a small table lamp. Sybil came in with her supper tray. Then, seemingly apropos of nothing, Hattie Dorsett remarked, "I never made it."
"Made