her.
âThe parsonâs wife over in Sudbury called me a dirty slattern because I wasnât quick enough to pick up after her. Whoâs the slattern if you made the mess and need someone to clean up after you? I asked her.
âYou have no respect for your betters, she says, and she sacked me on the spot. Uppity madam. If people wants respect they should respect others.â
âQuite right, Florence,â Margaret Sangster had said, for sheâd met the wife of the Sudbury incumbent, and she certainly was an untidy creature.
Rosemary Mortimer would be cross when she found out, but Margaret didnât care. Sheâd had enough of the womanâs rudeness and intended to send her packing. Who cared what Henry said? His mistress could go back to London and live with him. She didnât care if she never saw either of them again. This house belonged to the Sinclair family. She had grown up here, and was still its mistress. It would be passed on to her son when she died.
Even though there was a sense of purpose about Livia, she was gentle in her ways. Not like Nurse Gifford who had been a bit of a martinet, and who did everything by the clock. Sheâd had no sense of humour.
Livia, on the other hand, was so sensible and cheerful, and was such a dear. She made Margaret laugh, and as a result, she felt livelier.
âCook has made you something special for lunch,â Livia said this particular morning.
âWhat is it, Livia?â
âI wonât tell you until youâve finished your oatmeal. Thereâs only a couple of spoonfuls left. Open up.â
Margaret made a show of shuddering as she swallowed it. âIt reminds me of boarding school.â
Livia laughed. âWe called it goatmeal at the school I attended.â
âYou attended boarding school? I thought you were employed from an orphanage in London.â
âYes  . . . I was.â She shrugged. âMy parents lived beyond their means, Iâm afraid, and they tended to entertain a lot. Daddy was a secretary to a government minister and my mother designed ladies fashion. When they died there were debts to pay, and after that there was no money left so the three of us ended up in an orphanage.â
âOh  . . . my dear  . . . how perfectly awful. Didnât you have any relatives to take you in? No, of course you didnât, else they would have. What did you say your parentsâ names were?â
âGeorge and Eloise Carr.â
âEloise Carr? I do believe I have a gown in my wardrobe designed by your mother. Was she part of Cuthbert and Associates?â She remembered that the girl had siblings to support. The cottage was going to be without a tenant soon, so she might be able to do something for her  . . . she would think about it.
âIâm not quite sure, it was so long ago now  . . . I think she may have designed for Cuthbert.â
âThen you should be really proud, for she designed a gown for Lady Asquith, amongst other notables. If you climb on to the chair you should be able to reach the gown. Itâs in a box at the top of the cupboard. I was going to wear it to the hunt ball  . . . that was a while ago  . . . but I didnât manage to get there.â She made a face as the girl stretched upwards, showing the hem of a drab flannel petticoat. Livia was neatly made, and if she were her own daughter, sheâd be wearing silk and lace.
âBe careful you donât fall, my dear.â
âItâs you who should be careful. You gave cook and me quite a fright, you know.â The box was slid carefully out.
âThrow it on to the bed, dear. There are shoes and an evening bag in the other box.â
The gown was so delicate, a blush of pink silk with a three-quarter gossamer chiffon overdress. A wide band of gold lace with embroidered dark red rosebuds on the skirt matched the bodice with its