Downtown Deal ,
is also currently available.
Mike also has published short stories for
Kindle, including Between The Devil And
The Deep Blue Eyes and The Session. Also, a collection of short stories, Bloodstains On The Wall is available . In
addition, his stories have been published in A Twist Of Noir, Mysterical e,
Powder Burn Flash, Slow Trains, and The Wizards Of Words 2009 Anthology .
Mike has an experimental rockabilly novel, Cadillac's Comin' , a hard tale of the
chaotic early days of rock & roll. It's now available.
In late 2010, Mike moved back to Key West,
where he enjoys year-round island living with his wife Yleana, whom he married
on a warm night in December of 2012, on the rooftop of an apartment building in
Havana, Cuba.
Contact Mike Dennis /
[email protected] Please send me your email
address so I can notify you when my next book comes out. Note: I DO NOT SPAM! You will receive only ONE email each time a new book is about
to be published.
Visit Mike's website http://mikedennisnoir.com
Please leave a review.
OTHER BOOKS
BY MIKE DENNIS
The Key West Nocturnes Series
SETUP ON FRONT STREET
THE GHOSTS OF HAVANA
MAN-SLAUGHTER
THE GUNS OF MIAMI (coming soon)
Available in digital and paperback
The Jack Barnett/Las Vegas Series
TEMPTATION TOWN
HARD CASH
THE DOWNTOWN DEAL
Available in digital and paperback
BLOODSTAINS ON THE WALL
Three
stories from the dark side
Available in digital and paperback
THE TAKE
A novel of
human desperation
Available in digital and paperback
CADILLAC'S COMIN '
A rock
& roll novel
Available in digital and paperback
BETWEEN THE DEVIL AND
THE DEEP BLUE EYES
A Las Vegas
noir short story
Available in digital only
THE SESSION
A short
story of broken dreams
Available in digital only
HERE IS AN EXCLUSIVE PREVIEW OF
HARD CASH
The second
installment in the
Jack Barnett/Las
Vegas series
by Mike Dennis
A NOVELETTE
NOW AVAILABLE
HARD CASH
© Mike Dennis, 2011
I
THERE’S this place in Las Vegas they call the Neon Boneyard. It's where a lot of the
old casino and hotel/motel signs are stored. They call it a museum, kind of
like the city's version of the Guggenheim, but the place is really nothing more
than a big walled-in outdoor lot in a pretty creepy neighborhood on the north
rim of downtown.
You go there and you'll see those old neon giants
sitting on the ground, unlit, ghostly shadows of their glorious selves back
when they towered majestically over bustling boulevards.
I took a guided tour of the Boneyard one cold
February afternoon, and somewhere near the end of the tour guide's spiel, I
split myself off from the rest of the group to explore on my own. I wandered to
a remote corner of the lot where I stood alone under the chill blue sky,
without the chattering guide. Dwarfed among the enormous signs, I could feel the
spooky silence. Like they were awaiting resurrection.
I wanted to soak up a little local culture. I've
been living in Las Vegas ever since I moved up from LA almost two years ago,
back in the spring of 2001. All I really knew about this city was what I'd
heard, so I thought I'd get out and see some history, or what passes for
history around here.
A town like this, you don't have to dig too deep
to uncover the past.
≈≈≈
Following the tour, I
stepped out of the Boneyard lot onto the sidewalk. As I climbed into my car
half a block away, I heard a sudden, violent thump to my immediate left. I spun
around to see a man tumble hard to the pavement not fifteen feet away. The tan
cargo van that hit him squealed wide around the corner, weaving across both
lanes of Wilson Avenue, and sped toward Maryland Parkway, where it would
eventually melt into northside traffic. I caught printing on the side and back
of the van, but I couldn't grab the plate number.
I rushed to