WikiLeaks if his wife would ever let him out of the house; but he has strict instructions from both his old lady and his doctor to cut back on work, booze, and cigarettes. The fact that heâs done none of these might escape his doctor, but not his eagle-eyed wife, Nina, who by the sound of his voice when he spoke to me was sitting in the room.
âWhatâs up, Swift?â he asked, trying to sound jovial.
âNothing much. Enjoying the red wine and all that jazz.â
But just as I know Billâs voice, he knows mine. Knows for certain when Iâm holding something back. Itâs not just the journalist in himâitâs the dad.
âRough day at work?â
âWell . . .â I took a swig of whiskey, toyed with a cigarette. âThereâs good news and bad news. First the good: I went to see the girl in the hospital, like you said. While I was there, I found out some stuff about the Blavettes . . .â
I started telling him about the police putting a bulletin out on the Blavette family, about going to their house, meeting Valentin. I could tell Iâd grabbed his interest by the way he tip-tapped on his laptop as I spoke, probably Googling the news item.
You see, the main idea for American Confessional is that we take on stories of police incompetence or just general corruption, and find the real story. One day after he was retired and Iâd just lost a job, we met for a drink and came up with the idea of a talking heads show based on old-fashioned undercover work and pavement-pounding. Our first series was a long haul and probably the hardest work we ever did on a case: a miscarriage-of-justice story about Manatee Mack, a poor, black guy from Florida who we argued had been framed by the police for his white teenage girlfriendâs murder. We came close to clearing his name, got the Innocence Project on board, garnered support from millions of listeners, only to see the story end in the death chamber at Florida State. Both of us wanted to quit after that and did for a while. It was just too sad.
Maybe that was the reason the second series dealt with the opposite kind of injustice: Mindy Kaufman, a wealthy old lady who rented apartments on the Upper East Side and who everyone knew had poisoned her husband and housekeeper after she caught them together. Most of what we pulled together was gossip and hearsay, but we had a theory Mindy had used a slow-acting pesticide called Victor Cockroach Gel. The police had either been paid off or scared off, though: they wouldnât pursue it. In a marvelous piece of dumb luck, we got Mindy on tape chattingabout the murder to her pet mynah bird. Our listeners devoured that one.
In the end, what started out as a nostalgia piece became a popular show, not to mention a good earner because of paid ads and keen fans. Iâm the anonymous roving ear who records the footage and sends it to Bill. He shapes and edits cleverly and generally protects my secret identity. He really knows how to pitch a story.
Finally, I told him about the whole mistaken-for-a-relative thing.
âYou mean, they think youâre the aunt or something?â
âI guess. At first I only said that to the receptionist to get in for a minute, then when I was sitting in the girlâs room . . . a nun came. She was so thrilled that a family member had visited I started to feel pretty weird.â
âSo you havenât âfessed up?â
In the background of the call, like echolalia, I heard Ninaâs commentary. âââFessed up,â Bill? What has she gotten into this time? Should you be involved, in your condition?â
âYeah, I guess I should, really,â I said, talking more to myself than Bill, who was now busy bickering, âthough I donât have to go back to the hospital, sinceââ
âDonât you have a casserole to heat up, Nina? Leave me alone,â Bill shouted, âand, Molly, for Godâs sake.
Mark Logue, Peter Conradi
Gary Brozek, Nicholas Irving