his direction. He moved over to cut the man some slack; he stayed deadpan when Mickey said, “Mitzvah, huh? You fucking goyishe shitheel. Where’s Audrey and Lucy now?”
“Out by my car.”
“What’s Solly pay you?”
“A grand.”
Mickey dug in his pants pockets and pulled out a roll of hundreds. He peeled off ten, placed them in a row on the table and said, “That’s the only mitzvah you know from, you hump. But you saved me grief, so I’m matching. Buy yourself some clothes.”
Buzz palmed the money and stood up. “Thanks, Mick.”
“Fuck you. What do you call an elephant who moonlights as a prostitute?”
“I don’t know. What?”
Mickey cracked a big grin. “A two-ton pickup that lays for peanuts.”
“That’s a riot, Mick.”
“Then why ain’t you laughing? Send the girls in— now .”
Buzz walked over to the bar, catching Johnny Stompanato working on another shot. Turning, he saw Cohen being glad-handed by Tom Breneman and the maitre d’, out of eyeshot. Johnny Stomp swiveled around; Buzz put five Mickey C-notes in his hand. “Sifakis snitched you, but I don’t want him touched. And I didn’t tell Mickey bubkis. You owe me .”
Johnny smiled and pocketed the cash. “Thanks, pal.”
Buzz said, “I ain’t your pal, you wop cocksucker,” and walked outside, stuffing the remaining hundreds in his shirt pocket, spitting on his necktie and using it to daub the tomato juice stains on his best Oviatt’s worsted. Audrey Anders was standing on the sidewalk watching him. She said, “Nice life you’ve got, Meeks.”
Chapter Four
Part of him knew it was just a dream—that it was 1950, not 1941; that the story would run its course while part of him grasped for new details and part tried to be dead still so as not to disrupt the unraveling.
He was speeding south on 101, wheeling a hot La Salle sedan. Highway Patrol sirens were closing the gap; Kern County scrubland loomed all around him. He saw a series of dirt roads snaking off the highway and hit the one on the far left, figuring the prowl cars would pursue straight ahead or down the middle. The road wound past farmhouses and fruit pickers’ shacks into a box canyon; he heard sirens to his left and right, behind him and in front of him. Knowing any roadway was capture, he down-shifted and plowed across furrowed dirt, gaining distance on the wheeirr, wheeirr, wheeirr. He saw stationary lights up ahead and made them for a farmhouse; a fence materialized; he down-shifted, swung around in slow second gear and got a perfect view of a brightly lit picture window:
Two men swinging axes at a young blonde woman pressed into a doorway. A half-second flash of an arm severed off. A wide-open mouth smeared with orange lipstick screaming mute.
The dream speeded up.
He made it to Bakersfield; unloaded the La Salle; got paid. Back to San Berdoo, biology classes at JC, nightmares about the mouth and the arm. Pearl Harbor, 4F from a punctured eardrum. No amount of study, cash GTAs or anything can push the girl away. Months pass, and he returns to find out how and why.
It takes a while, but he comes up with a triangle: a missing local girl named Kathy Hudgens, her spurned lover Marty Sidwell—dead on Saipan—questioned by the cops and let go because no body was found. The number-two man most likely Buddy Jastrow, Folsom parolee, known for his love of torturing dogs and cats. Also missing—last seen two days after he tore across the dry cabbage field. The dream dissolving into typescript—criminology texts filled with forensic gore shots. Joining the LASD in ’44 to know WHY; advancing through jail and patrol duty; other deputies hooting at him for his perpetual all-points want on Harlan “Buddy” Jastrow.
A noise went off. Danny Upshaw snapped awake, thinking it was a siren kicking over. Then he saw the stucco swirls on his bedroom ceiling and knew it was the phone.
He picked it up. “Skipper?”
“Yeah,” Captain Al Dietrich said.
Breanna Hayse, Carolyn Faulkner