disappearance.”
“You think he disappeared deliberately?”
“Sure. There was plenty of evidence of that.”
He didn’t tell me what the evidence was. I didn’t tell him where I was going.
chapter 9
I drove through the lower town, past Grimes’s lightless and uninhabited little building. I could taste the salty tang of the sea long before I got to it, and feel its cool breath. A seaside park stretched along the shore for more than a mile. Below it waves foamed on the beach, preternaturally white against the darkness. There were pairs of lovers here and there in the grass instead of dead men, and that was good.
Channel Road ascended a cliff that overlooked and partly enclosed the harbor. Suddenly I was looking down at its masts. The road climbed away over the shoulder of the cliff, wound past a Coast Guard colony, and skirted a deep barranca that opened out onto the sea. Beyond the barranca was the hill on which the Biemeyers’ house stood.
Mrs. Chantry’s house was perched between the barranca and the water. It was built of stone and stucco, with many arches and several turrets. There was a glass-roofed greenhouse on one side, and between me and the house was a walled flagstone parking area holding about twenty cars. A white-coated attendant came up to the side of my car and offered to park it for me.
A uniformed black maid greeted me pleasantly at the open front door. She didn’t ask me for my invitation or any identification.She didn’t even allow herself to notice that I wasn’t wearing party clothes or a party look on my face.
Piano music drew me past her into a central room of the house, a wide high room that rose two stories to the roof. A woman with short black hair was playing “Someone to Watch Over Me” on a grand piano that was dwarfed by the room. A couple of dozen men and women stood around in party clothes with drinks. It looked like a scene recovered from the past, somehow less real than the oil paintings hanging on the walls.
Mrs. Chantry came toward me from the far end of the room. She was wearing a blue evening dress with a lot of skirt and not much top, which displayed her arms and shoulders. She didn’t seem to recognize me at first, but then she lifted both her hands in a gesture of happy surprise.
“How good of you to come. I was hoping I’d mentioned my little party to you, and I’m so glad I did. It’s Mr. Marsh, isn’t it?” Her eyes were watching me carefully. I couldn’t tell if she liked me or was afraid of me.
“Archer,” I said. “Lew Archer.”
“Of course. I never could remember names. If you don’t mind, I’ll let Betty Jo Siddon introduce you to my other guests.”
Betty Jo Siddon was a level-eyed brunette of about thirty. She was well-shaped but rather awkward in her movements, as if she weren’t quite at home in the world. She said she was covering the party for the local paper, and clearly wondered what I was doing there. I didn’t tell her. She didn’t ask.
She introduced me to Colonel Aspinwall, an elderly man with an English accent, an English suit, and a young English wife who looked me over and found me socially undesirable. To Dr. Ian Innes, a cigar-chomping thick-jowled man, whose surgical eyes seemed to be examining me for symptoms. To Mrs. Innes, who was pale and tense and fluttering, like a patient. To Jeremy Rader, the artist, tall and hairy and jovial in the last late flush of his youth. To Molly Rader, a statuesque brunette of about thirty-nine, who was the most beautiful thing I’d seen in weeks. To Jackie Pratt, a spare little longhairedman in a narrow dark suit, who looked like a juvenile character out of Dickens but on second glance had to be fifty, at least. To the two young women with Jackie, who had the looks and the conversation of models. To Ralph Sandman and Larry Fallon, who wore black silk jackets and ruffled white shirts, and appeared to comprise a pair. And to Arthur Planter, an art collector so well known that I had
Alexa Wilder, Raleigh Blake