and all those kids and gave himself away to them fearlessly. But I never told him, and when Esteban, his oldest son, died in Vietnam, I watched Cruz with the others, and after the crushing grief he still gave himself away to them, completely. But I couldn’t admire him for it anymore. I could marvel at it, but I couldn’t admire it. I don’t know what I felt about it after that.
Thinking all these foolish things made a gas bubble start, and I could imagine the bubble getting bigger and bigger. Then I took a bubble buster, chewed it up and swallowed it, made up my mind to start thinking about women or food or something good, raised up, farted, said “Good morning, Your Honor,” and felt a whole lot better.
FOUR
I T ALWAYS MADE ME FEEL GOOD just to drive around
without
thinking, so I turned off my radio and did just that. Pretty soon, without looking at my watch, I knew it was time to eat. I couldn’t decide whether to hit Chinatown or Little Tokyo today. I didn’t want Mexican food, because I promised Cruz Segovia I’d come to his pad for dinner tonight and I’d get enough Mexican food to last me a week. His wife Socorro knew how I loved
chile relleno
and she’d fix a dozen just for me.
A few burgers sounded good and there’s a place in Hollywood that has the greatest burgers in town. Every time I go to Hollywood I think about Myrna, a broad I used to fool around with a couple years ago. She was an unreal Hollywood type, but she had a good executive job in a network television studio and whenever we went anywhere she’d end up spending more bread than I would. She loved to waste money, but the thing she really had going as far as I was concerned is that she looked just like Madeleine Carroll whose pictures we had all over our barracks during the war. It wasn’t just that Myrna had style and elegant, springy tits, it’s that she really looked like a woman and acted like one, except that she was a stone pothead and liked to improvise
too
much sexually. I’m game for anything reasonable, but sometimes Myrna was a little too freaky about things, and she also insisted on turning me on, and finally I tried smoking pot one time with her, but I didn’t feel good high like on fine scotch. On her coffee table she had at least half a key and that’s a pound of pot and that’s trouble. I could just picture me and her getting hauled off to jail in a nark ark. So it was a bummer, and I don’t know if it’s the overall depressant effect of pot or what, but I crashed afterwards, down, down, down, until I felt mean enough to kick the hell out of her. But then, come to think of it, I guess Myrna liked that best of all anyway. So, Madeleine Carroll or not, I finally shined her on and she gave up calling me after a couple weeks, probably having found herself a trained gorilla or something.
There was one thing about Myrna that I’d never forget—she was a great dancer, not a good dancer, a
great
dancer, because Myrna could completely stop thinking when she danced. I think that’s the secret. She could dig hard rock and she was a real snake. When she moved on a dance floor, often as not, everyone would stop and watch. Of course they laughed at me—at first. Then they’d see there were
two
dancers out there. It’s funny about dancing, it’s like food or sex, it’s something you do and you can just forget you
have
a brain. It’s all body and deep in your guts, especially the hard rock. And hard rock’s the best thing to happen to music. When Myrna and me were really moving, maybe at some kid place on the Sunset Strip, our bodies joined. It wasn’t just a sex thing, but there
was
that too, it was like our bodies really made it together and you didn’t even have to
think
anymore.
I used to always experiment by doing the funky chicken when we first started out. I know it’s getting old now, but I’d do it and they’d all laugh, because of the way my belly jumped and swayed around. Then I’d always do it again