The Bluest Eye

The Bluest Eye by Toni Morrison Read Free Book Online Page A

Book: The Bluest Eye by Toni Morrison Read Free Book Online
Authors: Toni Morrison
from those in earshot, and mock anger from the accused.
    It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sights—if those eyes of hers were different, that is to say, beautiful, she herself would be different. Her teeth were good, and at least her nose was not big and flat like some of those who were thought so cute. If she looked different, beautiful, maybe Cholly would be different, and Mrs. Breedlove too. Maybe they’d say, “Why, look at pretty-eyed Pecola. We mustn’t do bad things in front of those pretty eyes.”

    Pretty eyes. Pretty blue eyes. Big blue pretty eyes.
    Run, Jip, run. Jip runs, Alice runs. Alice has blue eyes.
    Jerry has blue eyes. Jerry runs. Alice runs. They run
    with their blue eyes. Four blue eyes. Four pretty
    blue eyes. Blue-sky eyes. Blue-like Mrs. Forrest’s
    blue blouse eyes. Morning-glory-blue-eyes.
    Alice-and-Jerry-blue-storybook-eyes.

    Each night, without fail, she prayed for blue eyes. Fervently, for a year she had prayed. Although somewhat discouraged, she was not without hope. To have something as wonderful as that happen would take a long, long time.
    Thrown, in this way, into the binding conviction that only a miracle could relieve her, she would never know her beauty. She would see only what there was to see: the eyes of other people.
    She walks down Garden Avenue to a small grocery store which sells penny candy. Three pennies are in her shoe—slipping back and forth between the sock and the inner sole. With each step she feels the painful press of the coins against her foot. A sweet, endurable, even cherished irritation, full of promise and delicate security. There is plenty of time to consider what to buy. Now, however, she moves down an avenue gently buffeted by the familiar and therefore loved images. The dandelions at the base of the telephone pole. Why, she wonders, do people call them weeds? She thought they were pretty. But grown-ups say, “Miss Dunion keeps her yard so nice. Not a dandelion anywhere.” Hunkie women in black babushkas go into the fields with baskets to pull them up. But they do not want the yellow heads—only the jagged leaves. They make dandelion soup. Dandelion wine. Nobody loves the head of a dandelion. Maybe because they are so many, strong, and soon.
    There was the sidewalk crack shaped like a Y, and the other one that lifted the concrete up from the dirt floor. Frequently her sloughing step had made her trip over that one. Skates would go well over this sidewalk—old it was, and smooth; it made the wheels glide evenly, with a mild whirr. The newly paved walks were bumpy and uncomfortable, and the sound of skate wheels on new walks was grating.
    These and other inanimate things she saw and experienced. They were real to her. She knew them. They were the codes and touchstones of the world, capable of translation and possession. She owned the crack that made her stumble; she owned the clumps of dandelions whose white heads, last fall, she had blown away; whose yellow heads, this fall, she peered into. And owning them made her part of the world, and the world a part of her.
    She climbs four wooden steps to the door of Yacobowski’s Fresh Veg. Meat and Sundries Store. A bell tinkles as she opens it. Standing before the counter, she looks at the array of candies. All Mary Janes, she decides. Three for a penny. The resistant sweetness that breaks open at last to deliver peanut butter—the oil and salt which complement the sweet pull of caramel. A peal of anticipation unsettles her stomach.
    She pulls off her shoe and takes out the three pennies. The gray head of Mr. Yacobowski looms up over the counter. He urges his eyes out of his thoughts to encounter her. Blue eyes. Blear-dropped. Slowly, like Indian summer moving imperceptibly toward fall, he looks toward her. Somewhere between retina and object, between vision and view, his eyes draw back, hesitate, and hover. At some fixed point in time

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