looked at her.
Even if you did escape
, heâd said,
you couldnât go wandering on your own
. Well then, Iâll be a boy, thought Pirra as she hacked her hair to shoulder length. She would take the cuttings with her, so that her mother couldnât use them in a charm to track her down.
With pounding heart, she stuffed everything back in the bag: a block of pressed figs wrapped in vine leaves, some dried lambsâ tongues, eight salted and slightly mouse-eaten mullets; and two bundles of gold bracelets wrapped in linen to stop them clinkingâone to pay the wisewoman, the other for herself.
There. Hylas would have been impressed. Or maybe not. He was used to living by his wits.
Again Userref stirred in his sleep. Pirraâs heart twisted. She would never see him again. And she couldnât even say good-bye.
On impulse, she placed the little wooden leopard on her pillow. Would he understand how much she would miss him?
Quietly, she drew aside the door-hanging.
He lay as he always did, across the threshold. Pirra saw that heâd smeared some of his precious green
wadju
on his eyelids, to help him dream of Egypt. She hoped it was working.
Farther along the passage, her slave girls were snoring. At her evening meal sheâd drunk little, and drugged the rest of her wine with poppy juice, knowing theyâd finish what was left. She hoped she hadnât overdone it.
It was still early spring, and a chill breeze was moaning through the House of the Goddess. The passages were dark, except for the odd guttering lamp. She groped past chambers where people muttered in their dreams, and nearly trod on a sleeping slave. A sliver of darkness slunk toward her, and a catâs furry warmth brushed her calf.
Moonlight silvered the Great Court and the olive tree in the middle. Keeping to the shadows against the walls, she made for the far corner. The olive tree watched her go. Silently, she begged it not to betray her.
Footsteps echoed through the Great Court.
Pirra froze.
A priest emerged from a doorway, horrifyingly close.
Rigid with tension, she watched him make for the Hall of the Double Axe. She heard the faint rattle as he parted the beaded hanging and disappeared inside.
It was past midnight when she reached the workshops in the western wall, and she was terrified that the woman had gone.
In the darkness, she banged her shins against a pile of copper ingots, and nearly sent a shelf of clay jars crashing to the floor. Her heart jerked. Eyes glared at her from a corner. She breathed out in relief. The rock-crystal gaze of the ivory god followed her as she crossed to the seal-cuttersâ workshop.
It was empty. Had she missed her chance?
A shadow detached itself from the blackness, and in the gloom she made out the white magpie streak.
âYouâre late!â whispered the woman.
âI couldnât get away! I brought the goldââ
âNot now. Thereâs an olive press in the next room. My cousin left rope. We tie it to the press and climb out. Heâll untie it before dawn, to cover our tracks.â
By the faint light from a small window, they found the pressâtwo massive grooved stonesâand a thick coil of rope.
Pirra peered out of the window. The night wind blew cold in her face, and she couldnât see the rocks below. âHow do we know the ropeâs long enough?â she breathed.
âWe donât,â muttered the woman.
The rigging creaked and the sails snapped as the black ship sped across the waves. Huddled in the prow, Pirra drew her scratchy cloak around her and felt the salt spray stinging her face.
Freedom.
Where would she go? How would she survive in the White Mountains, far from everything she knew? She felt frightened and exhilarated. It was too huge to take in.
The rope
had
been too short, and sheâd nearly broken her ankle jumping onto the rocks. The settlement dogs had sniffed her suspiciously, but Hekabi had