body outside the door in the hallway. Another cop was trying to keep the neighbors away from it. A couple of the pastel-suited Mary Sue women came out of their room, skirting around the neighbors and the cops.
Pushing past them came the man who worked the front desk at night.
âMr. Bard is going to hate to hear this!â he said, referring to the eccentric businessman and art lover who runs the hotel. âWe havenât had a speck of trouble in years. We havenât had a murder here in two decades.â
Another detective arrived, pushing his way through the spectators and stepping carefully over the corpse.
âYou must be the good cop,â I said to him hopefully.
But I was wrong. Instead of getting your standard good cop-bad cop team, I got bad cop-worse cop, though they were both observing the cityâs new politeness guidelines for police, adding please and thank you every now and then. Maybe I was being too sensitive, but there seemed to be some sarcasm in their pleases and thank-yous.
Burns gave the second detective, Corcoran, a synopsis of my explanation, and went to consult with a cop out in the hallway.
âA curse, huh?â said Corcoran. âDo you hear voices? Please, tell me, did a voice tell you to kill this guy?â
âI didnât kill him and I donât hear voices. I just have bad luck.â
âThis guy break your heart or something?â
âI donât even know this guy. I met him for five minutes in the elevator today. Thatâs it.â
âPLEASE tell me, why did you open the door then? You open your door to strangers as a rule?â Corcoran asked. He pulled a piece of nicotine gum out of his pocket, peeled off the foiled backing, and put it in his mouth.
âI thought it might be the other houseguest, or her boyfriend â¦â
âWhere are they now?â
âI donât know.â I looked around and realized Nadiaâs stuff was gone. âI guess they hooked up and went off to elope.â
âWhat is her name?â
âNadia something.â
âShe was staying here, but you donât know her name?â
âNadia didnât tell me her last name. I donât know anything about her except she came to New York to elope with her boyfriend and sheâs from a country with no Benettons and no bagels,â I said. âI donât live here, Iâm a guest of the woman who rents this apartment. Sheâs traveling around the world. You see, my apartment burned down â¦â
âYeah? How did that happen?â Corcoran asked.
âI donât know. I didnât cause the fire,â I said.
âAnd you didnât kill anyone.â
âExactly!â
âWhat about the gun you had? Please, tell me about it,â said Corcoran.
âForensics will find it hasnât been fired. I donât even have bullets for it. I just keep it around because itâs scary looking and has sentimental value,â I said. âYou wonât find the gun that killed him around here.â
âDid an accomplice take it away?â
âLook, I donât even know the dead guy. If I killed him, would I have signed that consent form to let you search the place? If you donât believe me, call June Fairchild in the NYPD public affairs department, sheâll vouch for me. Iâve helped solve a few homicides.â
Thereâs nothing a hardened New York cop likes more than amateur crime fighter such as me. My situation wouldnât be helped once the head of homicide, Richard Bigger, got wind of this. Bigger thought I was a very clever serial killer who had somehow committed all these murders myself and had constructed elaborate frame-ups to conceal my crimes.
Around us, two cops wearing surgical gloves were dusting for prints, picking up bits of lint and things with tweezers and putting them into little plastic evidence bags. Another took photographs of the scene from the