unfavorably compared to a ski slope. She had a wide mouth, and she forced it open in a smile. But she did not feel like smiling.
The phone rang. She snapped up the receiver and sank into her chair.
It was Shay Babcock, and he gave her no time to question him. He repeated the message he had left earlier and added, âIâve been on the horn ever since, playing phone tag with the knuckle-draggers. I know itâs a big blow, kid. Hell, I was counting on parlaying the series myself.â
âTell me exactly what happened.â
There was a pause, and she sensed outrage. Their relationship had bordered on tempestuous. He disliked being questioned, while she continued to want to know why and how and when. He had wanted the Cold War series enough to put up with her, and she had wanted to reach a mass audience, which meant she needed a veteran like him. It had turned into a productive partnership but one not seriously tested, until now.
He finally said, âThe usual. TV bosses arenât known for their badges of courage. But then, their jobs have all the stability of river fog. The word was sent to me from Bruce Fontana, the network entertainment director, that theyâd decided last night. Of course, he had his assistant make the actual phone call, but not until this morning. I went right over to Bruceâs office. He made me cool my heels for a couple of hours. When I wouldnât leave, he let me in. He was eating lunch and talking on the phone the whole time. The basic humiliation scene. When they donât bother to get off the phone long enough to tell you to get the hell out, you know the graveâs been dug, the coffinâs dumped in, and youâre the corpse. After that, I went back to my office and made some calls, trying to crawl up above his head. Got nowhere. Hardly a surprise.â
âWeâll take the series somewhere else. Another network.â
âNo can do. Weâre locked into Compass. Sure, you could try to break the contract, but youâll have to foot the bill. I donât have those kinds of deep pockets. Man, the legal fees. Makes me hyperventilate just thinking about it.â
âWho did you reach?â
He rattled off a list, and she wrote the names.
âHell, Liz.â He sounded drained, exhausted. âAfter them, there is no one else to go to.â
âThereâs always someone else. The president of the company, for starters.â
âTried him.â He repeated the name. âIâm telling ya, kid. Give it up.â
âI canât.â
âFine. If you get the decision reversed, lemme know. Meanwhile, Iâve got to take care of my other projects. Donât want this to taint them. You understand?â
She grimaced. She did not want to be understanding. Still, she heard the fear in his voice. He really was worried about his other ventures if he pushed too hard for the Cold War series. The brutal world of national television had no time for troublemakers.
She put reassurance into her voice: âDonât get too busy, Shay. Iâm going to need you when I turn this around.â
âRight. Always the optimist. Good luck. Ciao, kid.â And the line went dead.
Â
Liz worked the phone, looking for someone to rescind the stupid decision. Her Rolodex contained names and numbers from when the series was a hot network acquisition, and she called every one.
âLiz! Nice of you to check in,â said the head of development. âNo, I hadnât heard. They actually canceled it? Why?â
The director of publicity groaned. âWeâre always the last to get the word.â
No one could help. No one knew anything. She had expected to be stonewalled, but she also expected to figure out a way to get around it. Disgusted, she went on-line to research Compass Broadcasting and discovered its owner was InterDirections, the media conglomerate headed by the legendary Nicholas Inglethorpe.
That was