himself as Dr. Eric Ladde. The thin man sneered, heard through the womanâs ears: âHalf a loafââ
*Â Â Â *Â Â Â *
On the bayside walk, Eric and Colleen matched steps.
âYou never did tell me what a musikron is.â
Her laughter caused a passing couple to turn and stare. âOkay. But I still donât understand. Weâve been on TV for a month.â
He thought, She thinks Iâm a fuddy; probably am!
He said, âI donât subscribe to the entertainment circuits. Iâm just on the science and news networks.â
She shrugged. âWell, the musikron is something like a recording and playback machine; only the operator mixes in any new sounds he wants. He wears a little metal bowl on his head and just thinks about the soundsâthe musikron plays them.â She stole a quick glance at him, looked ahead. âEveryone says itâs a fake; it really isnât.â
Eric stopped, pulled her to a halt. âThatâs fantastic. Whyââ He paused, chuckled. âYou know, you happen to be talking to one of the few experts in the world on this sort of thing. I have an encephalorecorder in my basement lab thatâs the last word in teleprobes ⦠thatâs what youâre trying to describe.â He smiled. âThe psychiatrists of this town may think Iâm a young upstart, but they send me their tough diagnostic cases.â He looked down at her. âSo letâs just admit your Peteâs machine is artistic showmanship, shall we?â
âBut it isnât just showmanship. Iâve heard the records before they go into the machine and when they come out of it.â
Eric chuckled.
She frowned. âOh, youâre so supercilious.â
Eric put a hand on her arm. âPlease donât be angry. Itâs just that I know this field. You donât want to admit that Pete has fooled you along with all the others.â
She spoke in a slow, controlled cadence: âLook ⦠doctor ⦠Pete ⦠was ⦠one ⦠of ⦠the ⦠inventors ⦠of ⦠the ⦠musikron ⦠Pete ⦠and ⦠old ⦠Dr. Amanti.â She squinted her eyes, looking up at him. âYou may be a big wheel in this business, but I know what Iâve heard.â
âYou said Pete worked on this musikron with a doctor. What did you say that doctorâs name was?â
âOh, Dr. Carlos Amanti. His nameâs on a little plate inside the musikron.â
Eric shook his head. âImpossible. Dr. Carlos Amanti is in an asylum.â
She nodded. âThatâs right; Wailiku Hospital for the Insane. Thatâs where they worked on it.â
Ericâs expression was cautious, hesitant. âAnd you say when Pete thinks about the sounds, the machine produces them?â
âCertainly.â
âStrange Iâd never heard about this musikron before.â
âDoctor, there are a lot of things youâve never heard about.â
He wet his lips with his tongue. âMaybe youâre right.â He took her arm, set a rapid pace down the walkway. âI want to see this musikron.â
*Â Â Â *Â Â Â *
In Lawton, Oklahoma, long rows of prefabricated barracks swelter on a sunbaked flat. In each barracks building, little cubicles; in each cubicle, a hospital bed; on each hospital bed, a human being. Barracks XRO-29: a psychiatrist walks down the hall, behind him an orderly pushing a cart. On the cart, hypodermic needles, syringes, antiseptics, sedatives, test tubes. The psychiatrist shakes his head.
âBaily, they certainly nailed this thing when they called it the Scramble Syndrome. Stick an egg-beater into every psychosis a person could have, mix âem up, turn âem all on.â
The orderly grunts, stares at the psychiatrist.
The psychiatrist looks back. âAnd weâre not making any progress on this