shouted, “Seventy-seven dollars and thirty-five cents.” Naturally, due to the excitement, I didn’t at first catch the meaning; it was just a number. Then Appleseed’s brother let forth with his whooping yell, and so I understood. The name of the winner spread quickly, and the awed, murmuring whispers were like a rainstorm.
Oh, Appleseed himself was a sorry sight. He was crying as though he was mortally wounded, but when Hamurabi lifted him onto his shoulders so the crowd could get a gander, he dried his eyes with the cuffs of his sweater and began grinning. Mr. R. C. Judkins yelled, “Gyp! Lousy gyp!” but was drowned out by a deafening round of applause.
Middy grabbed my arm. “My teeth,” she squealed. “Now I’m gonna get my teeth.”
“Teeth?” said I, kind of dazed.
“The false kind,” says she. “That’s what we’re gonna get us with the money—a lovely set of white false teeth.”
But at that moment my sole interest was in how Appleseed hadknown. “Hey, tell me,” I said desperately, “tell me, how in God’s name did he know there was just exactly seventy-seven dollars and thirty-five cents?”
Middy gave me this
look
. “Why, I thought he told you,” she said, real serious. “He counted.”
“Yes, but how—how?”
“Gee, don’t you even know how to count?”
“But is that all he did?”
“Well,” she said, following a thoughtful pause, “he did do a little praying, too.” She started to dart off, then turned back and called, “Besides, he was born with a caul on his head.”
And that’s the nearest anybody ever came to solving the mystery. Thereafter, if you were to ask Appleseed “How come?” he would smile strangely and change the subject. Many years later he and his family moved to somewhere in Florida and were never heard from again.
But in our town his legend flourishes still; and, till his death a year ago last April, Mr. Marshall was invited each Christmas Day to tell the story of Appleseed to the Baptist Bible class. Hamurabi once typed up an account and mailed it around to various magazines. It was never printed. One editor wrote back and said that “If the little girl really turned out to be a movie star, then there might be something to your story.” But that’s not what happened, so why should you lie?
M IRIAM
(1945)
For several years, Mrs. H. T. Miller had lived alone in a pleasant apartment (two rooms with kitchenette) in a remodeled brownstone near the East River. She was a widow: Mr. H. T. Miller had left a reasonable amount of insurance. Her interests were narrow, she had no friends to speak of, and she rarely journeyed farther than the corner grocery. The other people in the house never seemed to notice her: her clothes were matter-of-fact, her hair iron-gray, clipped and casually waved; she did not use cosmetics, her features were plain and inconspicuous, and on her last birthday she was sixty-one. Her activities were seldom spontaneous: she kept the two rooms immaculate, smoked an occasional cigarette, prepared her own meals and tended a canary.
Then she met Miriam. It was snowing that night. Mrs. Miller had finished drying the supper dishes and was thumbing through an afternoon paper when she saw an advertisement of a picture playing at a neighborhood theatre. The title sounded good, so she struggled into her beaver coat, laced her galoshes and left the apartment, leaving one light burning in the foyer: she found nothing more disturbing than a sensation of darkness.
The snow was fine, falling gently, not yet making an impression onthe pavement. The wind from the river cut only at street crossings. Mrs. Miller hurried, her head bowed, oblivious as a mole burrowing a blind path. She stopped at a drugstore and bought a package of peppermints.
A long line stretched in front of the box office; she took her place at the end. There would be (a tired voice groaned) a short wait for all seats. Mrs. Miller rummaged in her leather handbag till she
Brian Keene, J.F. Gonzalez