found himself. He had the distinct impression Axel Weiss was more than just a detective for the Munich Kriminal Polizei. Indeed, Gabriel could feel Weiss's eyes boring into him as he reached into his wallet and produced the business card Shamron had given him in Venice. The detective held it up to the light, as if looking for the marks of a counterfeiter.
"May I keep this?"
"Sure." Gabriel held open his wallet. "Do you need any other identification?"
The detective seemed to find this question offensive and made a grandiose German gesture of dismissal. "Ach, no! Of course not. I'm just interested in art, that's all."
Gabriel resisted the temptation to see how little the German policeman knew about art.
"You've spoken to your people?"
Gabriel nodded solemnly. Earlier that afternoon, he had paid a visit to the Israeli consulate for a largely ceremonial briefing. The consular officer had given him a file containing copies of the police reports and clippings from the Munich press. The file was now resting in Ehud Landau's expensive leather briefcase.
"The consular officer was very helpful," Gabriel said. "But if you don't mind, Detective Weiss, I'd like to hear about Benjamin's murder from you."
"Of course," the German said.
He spent the next twenty minutes giving Gabriel a thorough account of the circumstances surrounding the killing. Time of death, cause of death, caliber of weapon, the well-documented threats against Benjamin's life, the graffiti left on the walls of his flat. He spoke in the calm but forthright manner that police the world over seem to reserve for the relatives of the slain. Gabriel's demeanor mirrored that of the German detective. He did not feign grief. He did not pretend that the gruesome details of his half-brother's death caused him pain. He was an Israeli. He saw death nearly on a daily basis. The time for mourning had ended. Now was the time for answers and clearheaded thinking.
"Why was he shot in the knee, Detective?"
Weiss pulled his lips down and tilted his narrow head. "We're not sure. There may have been a struggle. Or they may have wanted to torture him."
"But you told me that none of the other tenants heard any sound. Surely, if he was tortured, the sound of his screaming would have been audible in other parts of the building."
"As I said, Herr Landau, we're not sure."
Weiss was clearly frustrated by the line of questioning, but Herr Landau, art dealer from Tel Aviv, was not quite finished.
"Is a wound to the knee consistent with other murders carried out by right-wing extremists?"
"I can't say that it is."
"Do you have any suspects?"
"We're questioning a number of different people in connection with the murder. I'm afraid that's all I can say at the moment."
"Have you explored the possibility that his death was somehow linked to his teaching at the university? A disgruntled student, for example?"
The detective managed a smile, but it was clear his patience was being put to the test. "Your brother was much beloved. His students worshipped him. He was also on sabbatical this term." The detective paused and studied Gabriel a moment. "You were aware of that, weren't you, Herr Landau?"
Gabriel decided it was best not to lie. "No, I'm afraid I wasn't. We haven't spoken in some time. Why was he on sabbatical?"
"The chairman of his department told us he was working on a new book." The detective swallowed the last of his coffee. "Shall we have a look at the apartment now?"
"I just have one more question."
"What's that, Herr Landau?"
"How did the killer get into his building?"
"That's one I can answer," Weiss said. "Despite the fact that your brother received regular death threats, he lived in a very insecure
building. The tenants are very casual about who they let in. If someone presses the intercom and says 'advertisements,' they're routinely buzzed in. A student who lives one floor above Professor Stern is fairly certain she was the one who let the killer into the building.
Jennifer LaBrecque, Leslie Kelly